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The Collector | The woman who owns 20,000 erasers, and why such odd collections can provide a window to the past

Pan Mok started amassing erasers by accident, but is now driven by the desire to save ‘pieces of history’

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Part of Pan Mok’s collection of erasers. Picture: courtesy of Pan Mok

The collecting bug can bite in the most unexpected of ways. Pan Mok Wing-sze was a master at “beat the eraser” when she was in primary school in Hong Kong in the 1970s. The addictive game involves flipping an eraser with the objective of landing it on top of your rival’s. The winner gets to keep both.

“I kept winning other people’s erasers and became quite attached to them,” Mok says. “I once spotted a full set of A-to-Z erasers with green tops in the local book­store and desperately wanted it. I saved up my pocket money for a long time to buy it. I was in Primary One.”

Today, Mok owns a staggering 20,000 erasers, which she keeps in boxes in her flat in Tuen Mun. Sadly, the original A-to-Z set (duotone white and green rectangles with an ornate letter printed on each) is long gone. But she has acquired many special pieces along the way.

Last month, she showed a selection at Nlostnfound, a vintage store in Sheung Wan, among which were erasers made in the 60s that Santa Claus had supposedly sent from Santa Village and others shaped like timepieces, computers and calculators.

“I buy most erasers online but I try to find them in flea markets when I travel,” Mok says. “I was in Cairo once and begged the tour guide to take me where people might be selling erasers. Amazingly, he found somewhere, miles away from the usual tourist areas. It sure was a great way of seeing Cairo.”

I collect because I want to save these pieces of history. I want to tell future gen­erations of the beauty and importance of writing
Pan Mok

However, Mok, who runs the 6070 interior-design studio in Shanghai, is trying to trim down her collection because “I realise some pieces are just not spe­cial. Do I really need more sushi erasers?

Enid Tsui
Enid Tsui is the Post's Arts Editor. Her previous posts include the Hong Kong correspondent and Asia companies and markets editor of the Financial Times, presenter on RTHK Radio 3 and editor-in-chief of CFO China, a magazine published by the Economist Group. She has an MA in art history. Her book "Art in Hong Kong: Portrait of a City in Flux" will be published on January 27, 2025
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