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Enid Tsui

Enid Tsui

Hong Kong
@enidtsui
Editor, Culture
Enid Tsui is the Post's Arts Editor. Her previous posts include the Hong Kong correspondent and Asia companies and markets editor of the Financial Times, presenter on RTHK Radio 3 and editor-in-chief of CFO China, a magazine published by the Economist Group. She has an MA in art history. Her book "Art in Hong Kong: Portrait of a City in Flux" will be published on January 27, 2025
Enid Tsui is the Post's Arts Editor. Her previous posts include the Hong Kong correspondent and Asia companies and markets editor of the Financial Times, presenter on RTHK Radio 3 and editor-in-chief of CFO China, a magazine published by the Economist Group. She has an MA in art history. Her book "Art in Hong Kong: Portrait of a City in Flux" will be published on January 27, 2025
Areas of Expertise:
Visual art and the performing arts in Asia; art history; art market; cultural policies
Languages Spoken:
Cantonese, English, Mandarin
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Head of dance at the academy Anna Chan promoted to lead the institution. Among her first tasks: hiring her replacement, 2 other school heads.

Artist Jaffa Lam’s practice describes a dynamic arc – like Hong Kong’s art scene itself – moving beyond cultural tradition to embrace the everyday and individual.

The artist, a scion of Taiwan’s Advanced Semiconductor Engineering family who died aged 45, remembered as ‘warm’ and ‘endlessly curious’.

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Japanese pianist Cateen, who recently played two sold-out shows in Hong Kong, was a computer engineer before becoming a social media star.

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Japanese actress best known for 1995’s Love Letter, who also had a stellar career as a singer, found dead at home, having cancelled a show.

Cryptocurrency entrepreneur Justin Sun praises artist for creating Comedian artwork, before downing it on live stream at The Peninsula hotel.

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Salone del Mobile will show works from its SaloneSatellite permanent collection in an exhibition preceded by a spotlight of Hong Kong design.

Director Jia Ding explains why his Opera Hong Kong production of rare Western work ‘that talks about China’ has to be historically accurate.