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Hong Kong Palace Museum to support repatriating cultural heritage in line with central government’s efforts, director says

  • Louis Ng’s first public statement on the museum’s position regarding restitution comes as he takes the Post on a behind-the-scenes tour of the institution
  • He does not rule out the potential for collaboration with Taipei’s National Palace Museum, referencing a past partnership between Beijing and Taipei

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What’s so special about Hong Kong’s Palace Museum? | Louis Ng on Talking Post with Yonden Lhatoo

What’s so special about Hong Kong’s Palace Museum? | Louis Ng on Talking Post with Yonden Lhatoo
Mabel LuiandEnid Tsui

The Hong Kong Palace Museum (HKPM) will support the central government’s efforts to seek the repatriation of cultural heritage, its director says.

Louis Ng Chi-wa’s first public statement regarding the institution’s position on restitution comes as he takes the Post on an exclusive behind-the-scenes tour of some of the museum’s more than 900 rare artefacts, and explains the future direction of the West Kowloon Cultural District’s latest addition.

“This is our obligation … to have the return of those cultural properties we lost in the past,” Ng says in an interview on Talking Post with Yonden Lhatoo, the Post’s chief news editor.
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He says that the museum, which opened to the public on July 3, will support the National Administration of Cultural Heritage in mainland China and its work on reclaiming cultural properties through negotiations, legal proceedings and purchases.

Ng (centre right) stands with Betty Fung (centre), CEO of the West Kowloon Cultural District Authority, and HKPM designer Rocco Yim, at an event to announce the completion of the museum building, on May 10, 2022. Photo: Nora Tam
Ng (centre right) stands with Betty Fung (centre), CEO of the West Kowloon Cultural District Authority, and HKPM designer Rocco Yim, at an event to announce the completion of the museum building, on May 10, 2022. Photo: Nora Tam
The Chinese Academy of Cultural Heritage estimated in 2016 that over 10 million Chinese cultural relics were overseas, though there is some dispute over the size of its claim. There have only been few cases of large-scale repatriation such as Italy’s return of nearly 800 pieces in 2019, when it joined China’s “belt and road” plan.
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Some of the world’s biggest “universal museums” which built up their collections during the 19th- and 20th-century periods of colonial expansion have become more open to the idea of repatriation in recent years – for example with regards to Benin bronzes and Australian Aboriginal human remains.

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