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Asian cinema: Hong Kong film
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Aaron Kwok in a still from Rob N Roll (category IIB; Cantonese), directed by Albert Mak and co-starring Lam Ka-tung and Richie Jen.

Review | Rob N Roll movie review: Aaron Kwok, Lam Ka-tung ham it up in darkly comic Hong Kong crime drama with an ambitiously convoluted story

  • There’s shades of Johnny To’s crime capers in Rob N Roll, a diverting comedy whose story is confidently told but with a few too many twists to be captivating
  • The performances of Aaron Kwok, as an unstable bandit, Lam Ka-tung, as a put-upon taxi driver, and Richie Jen as an indebted business owner, are the draw here

3.5/5 stars

The criss-crossing paths of several robbers and robbers-to-be form the darkly comic premise of Rob N Roll, a character-driven crime drama that lives on the melodramatic flourish of its trio of lead actors, Aaron Kwok Fu-shing, Lam Ka-tung and Richie Jen Hsien-chi.

Lam plays Robby, a downtrodden taxi driver who is being driven over the edge by the constant discord at home caused by his elderly mother – his pregnant wife longs to move out of their cramped flat. Meanwhile, his father has been taking shelter, without paying, in the nursing home run by Robby’s buddy, Fai (Jen).

The latter isn’t doing any better. A widower with a young daughter to provide for, Fai is heavily in debt and struggles to keep his business afloat – not that he runs the home purely for the money. Somehow this kind-hearted man gets the idea of committing a robbery.

Before they can secure a gun, however, the two middle-aged losers inadvertently become involved in the fallout from an armed robbery led by Mui (Kwok), a former pro wrestler and self-proclaimed “tough bandit, not a killer” from a fictional rural town, whose alternately polite and unhinged temperament hides a traumatic past.

Directed by long-time assistant director Albert Mak Kai-kwong from a screenplay he co-scripted, this confidently narrated tale of misfortune and coincidences is diverting to watch, at times even bringing to mind Johnnie To Kei-fung’s twisty capers, but is also far too convoluted to be truly captivating.
Lam Ka-tung (front) and Richie Jen in a still from Rob N Roll.

Not one but two heists take place in Rob N Roll’s first act to set up the ironic sequence of events to come; meanwhile, the bags of money have been swapped, misplaced and stolen so many times through the course of its story that viewers may find it hard to be bothered beyond a certain point.

This is, ultimately, showtime for the bucktoothed Kwok, who has a field day portraying Mui with his eccentric demeanour. Veterans David Chiang Da-wei, Lam Suet and Michael Wong Man-tak make an impression in gangster roles, but the police characters played by Maggie Cheung Ho-yee and Leung Chung-hang feel perfunctory.

For a film that weaves together its various plot lines so meticulously at first, Rob N Roll has a difficult time tying up the loose ends for its criminal protagonists – a predictable outcome, perhaps, given the restrictions on Hong Kong-mainland film co-productions giving lawbreakers a glorious send-off.

(From left) Lam Ka-tung, Aaron Kwok and Richie Jen in a still from Rob N Roll.

Still, there’s no denying that Mak has come up with an offbeat tragicomedy populated with believably human characters. You may not remember exactly what Robby, Fai and Mui have gone through, but you should certainly be able to recognise the way they talk and behave.

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