Review | The Bhagavad Gita through Chinese theatre director Tang Shu-wing’s eyes: meditative storytelling in which the spoken word is a distraction

  • Tang has dispensed with the spoken word before, and he might have done so in this interpretation of the Hindu sacred text; it is the weak link in the production
  • The cast otherwise excel in interpreting abstract ideas through dance and physical movement, including a scene in which a performer skips rope without a break

Jasmine Lam (left) and Peggy Chow perform “Bhagavad Gita”, Chinese theatre director Tang Shu-wing’s take on the epic Sanskrit poem. Photo: Tang Shu-wing Theatre Studio

Among the sacred texts of Hinduism are two Sanskrit epic poems, the Ramayana and the Mahabharata. The Bhagavad Gita, an excerpt from the latter, is regarded as the most important.

It narrates a conversation between warrior-prince Arjuna and his charioteer guide Krishna before they enter the battlefield to claim the rule of a kingdom.

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