Censors to join the crowd at Beijing's small theatres
Call for volunteers to monitor performances speaks to the success of edgy drama scene, but also seen as new threat to freedom of expression in capital
Beijing has long been known for its rich history of cultural attractions. Among them are small, community theatres that not only help serve the cultural needs of local residents, but also introduce tourists to some of the capital's traditional performing arts.
Interest in modern dramas, Peking opera, crosstalk (a form of comedy), acrobatics and other performances has been booming in recent years as more private and public capital is injected into the industry. As a result, the number of small theatres has surged from just a few a decade ago to dozens today.
Many forms of new media, such as microblogs, are far more critical than theatre productions. I don't understand why they would impose these new regulations
But that success of relatively small, local troupes has also been a double-edged sword of sorts. On the one hand, the booming industry offers more choices for patrons of the arts, as well as more opportunities to industry players.
On the flip side, however, authorities are growing increasingly uneasy that some dramas or shows might touch on sensitive topics such as social stability, and this means more control is being exerted over performances.
Earlier this month, guidelines issued by the city government sparked some concerns of censorship among culture watchers. The guidelines call on the city's neighbourhood administrative units to assemble teams of volunteers to monitor performances. Those selected for the task must have a strong sense of responsibility, political acumen and a good knowledge of cultural performances.
After some proper training, the teams will be dispatched to watch live performances to be on the lookout for harmful elements that violate laws and regulations.
