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How music and sounds add extra dimension to ‘twisted’ fairy tale of Red Riding Hood and hungry wolf

  • Hong Kong’s Theatre de la Feuille’s latest production ‘Mad Men (Irregular Version)’, part of November’s ArtSnap at ninth New Vision Arts Festival
  • Music designer Heidi Law explains how she uses sound to set the tone of a play

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Heidi Law Hoi-yan, music designer of ‘Mad Man (Irregular Version)’, a production by Theatre de la Feuille, which will feature at November’s ArtSnap, during the ninth Hong Kong New Vision Arts Festival.

This article is part of a weekly series that dives deep into the small things that add character to our city, enrich our culture and make our lives beautiful.

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Five performers are lying face down on the stage.

As a flowing, fairy-tale melody sets in – conjuring up the image of an enchanted forest – one of the performers raises her head and starts telling the story of Little Red Riding Hood.

“One day, mummy told me to visit grandma who is sick. I saw a big grey wolf on my way. He asked me where I was going and I told him. Together we went to Grandma’s place ...”

Then comes a sound of chewing, which is out of sync with the pleasant-sounding melody. Something odd is happening. But what is it?

The chewing grows louder and more disturbing and, before long, the girl yells: “The wolf has devoured Grandma …”

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Silence falls. All that can be heard is the girl saying: “… and me too!”

Music and sounds build the mood of a play, which is evident from this scene taken from Mad Man (Irregular Version), the latest work by Hong Kong-based Theatre de la Feuille featured at November’s ArtSnap, during the ninth New Vision Arts Festival.

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