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Why jewellery designer Nghi Nguyen believes we’re ready for a new visual language

STORYLee Hill-choi
Vietnam-born jewellery designer Nghi Nguyen was educated in Australia and further trained in Japan.
Vietnam-born jewellery designer Nghi Nguyen was educated in Australia and further trained in Japan.
XXIV

Creater of other-worldly pieces for stars such as Lenny Kravitz and Utada Hikaru sees self-expression as a liberating act

This story was originally published in XXIV magazine 2018

The way Brooklyn-based jewellery designer Nghi Nguyen sees it, the 21st-century technological era is one filled with opportunities. As the founder of NN by Nghi, Vietnamese-Australian Nguyen has taken a bold stance with his sci-fi-esque designs.

Perhaps inspiration came when he worked as a costume designer in the film and music video industries, or from his interest in reading about science and technology and seeing an industry open to innovation.

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Nguyen’s jewellery pieces have garnered fanfare among distinguished ladies in Asia, including singer-songwriter and producer Utada Hikaru and legendary model and actress Sayoko Yamaguchi.
Nguyen’s jewellery pieces have garnered fanfare among distinguished ladies in Asia, including singer-songwriter and producer Utada Hikaru and legendary model and actress Sayoko Yamaguchi.

Wherever it came from, it doesn’t take away from the fact that Nguyen has always been into the visual arts where he – in his words – created new visual language for the human body, and where he sees self-expression to be as liberating an act as dancing.

A perfect day would be having the luxury of time to get into a creative zone [...] where time stands still and there is a creative flow where I get lost in my imagination

“Jewellery is a smaller version of this total vision,” Nguyen explains. “I love the fact that jewellery is compact and can travel with me anywhere.”

He describes NN jewels as “future artefacts”, “a capsule of emotion or memory [and] a representation of our time on earth.”

“NN is alt-haute,” says Nguyen. “Like distressed leather and denim, the more worn the better it looks and it is comfortable anywhere.”

Though staying persistent and true to vision can be challenging as the industry moves at a faster pace, it is important to Nguyen to be a responsible designer and to use his time effectively.

“With open-source information, consumers are more aware, and are ready for new visual language,” he says. “At the same time, we need spiritual revolution to give a deeper meaning to our existence rather than just consuming and destroying.

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