Advertisement
Advertisement
Advertisement

Paris Fashion Week 2025: Louis Vuitton, Chanel, Saint Laurent and Miu Miu showcase bold silhouettes and brand signatures, marking a season of transition in the industry

Louis Vuitton’s autumn/winter 2025 show, held in the former office of a railway company near Gare du Nord in Paris, was a homage to train travel. Photo: AFP
Louis Vuitton’s autumn/winter 2025 show, held in the former office of a railway company near Gare du Nord in Paris, was a homage to train travel. Photo: AFP

Louis Vuitton held a small and intimate show at a ‘secret location’, Saint Laurent wowed with dramatic colour blocking and broad-shouldered tops, and Sacai embraced a cosy, graphic style

Autumn/winter 2025 was a transitional season, so to speak, with brands including Gucci, Bottega Veneta, Chanel, and perhaps Dior and Loewe – if the countless rumours are to be believed – going through major changes.

Paris Fashion Week, however, always ends on a high note.

Here are a few highlights from the last two days of shows.

Louis Vuitton

To the dismay of many fashion week regulars, Louis Vuitton held a very intimate show this season, probably with the smallest number of guests since Nicolas Ghesquière took over as women’s artistic director more than a decade ago.
Advertisement
A travel-ready outfit at Louis Vuitton autumn/winter 2025. Photo: Reuters
A travel-ready outfit at Louis Vuitton autumn/winter 2025. Photo: Reuters

A lucky, chosen 400 were whisked off to a “secret location” that turned out to be L’Étoile du Nord, the former office building of a railway company dating back to 1845 and located next to Gare du Nord, one of Paris’ main railway stations.

The venue provided a fitting backdrop to the autumn/winter 2025 collection. There was an urgency to the proceedings, and to the clothing for that matter: windbreakers, jumpsuits, breezy dresses, parkas and plenty of outerwear – all styled to the hilt but still looking like something you could easily wear before embarking on a trip, in this case a train journey.

Looks from Louis Vuitton’s show, held near Gare du Nord in Paris. Photos: AFP
Looks from Louis Vuitton’s show, held near Gare du Nord in Paris. Photos: AFP

Travel, after all, is the essence of Louis Vuitton, which was born a trunk maker – but while travel is about adventure and discovery, the immediacy and rushed energy of the show felt more like a frantic escape from something than a jaunt to a glamorous destination.

As always with Ghesquière – the fashion designer with the best taste in music – the soundtrack played a key role. German electronic band Kraftwerk’s Trans-Europe Express was an inspiration, with the 1977 album cover appearing on some garments and accessories.

“Embraces, break-ups, reunions, travels with friends … so many crossroads that converge in the station, in every era and stage of life,” said Ghesquière in the show notes. “What really interested me was the concourse, its eclecticism.”

Formerly the fashion editor of the South China Morning Post, Vincenzo La Torre is the chief editor of Style, the South China Morning Post’s luxury monthly publication. Born and raised in Italy, Vincenzo started his career in journalism after graduating from Columbia University in New York, where he studied East Asian Languages and Cultures with a focus on Japanese and Chinese art. He has previously worked for Vogue Japan in Tokyo, Harper's Bazaar in Singapore and Prestige in Hong Kong. Before joining the Post as fashion editor in 2017, Vincenzo was a member of the launch team of Vogue Arabia in Dubai. He covers topics such as jewellery, watches, luxury, beauty, celebrity, entertainment and lifestyle, and has interviewed some of the most influential designers and CEOs in the luxury industry. Vincenzo speaks Italian, French, Japanese and Mandarin, and is a regular at high-profile events such as fashion week in Milan and Paris.