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Then & Now | The crazy rich Asians of old Hong Kong – when a pink Rolls-Royce and a gold-studded toilet seat were fact, not fiction

Flamboyant displays of wealth are nothing new, Hong Kong’s moneyed have long known how to splash their cash

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Brenda and Kai-bong Chau with their pink Rolls-Royce in 2002. Picture: Dennis Owen

With everyone else having weighed in on Crazy Rich Asians, my generally well-disguised FOMO (fear of missing out) has encouraged yet another foray. But what were these types like in the past?

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Then, as now, no shortage existed in a society so wholeheartedly dedicated to the osten­tatious pursuit and enjoyment of money. One key difference was that until the post-war Shanghainese influx, Hong Kong’s seriously rich local Chinese seldom displayed their wealth – or themselves. Personal safety was afforded by relative anonymity.

Brash Shanghai émigré types aside, full-on flamboyant display was, inevitably, the preserve of Hong Kong’s B-list moneyed. Comfortable levels of second- or third-generation rentier wealth, sourced from well-placed office buildings, or a family bank descended from an earlier pawnbroking business, typically provided the wherewithal. Some little-used, mostly British professional qualification – usually legal – padded out their personal details in the local society rags.

As British art critic Brian Sewell tartly noted, “to own a [Damien] Hirst is to tell the world your bathroom taps are gilded, and your Rolls-Royce is pink!” Hong Kong’s leading exemplars – whose taps really were gilded, and whose Rolls-Royce truly was candyfloss puce – were Kai-bong and Brenda Chau.

Kai-bong hailed from an old-established family – his father, Sir Sik-nin Chau, a prominent ophthalmologist, became the first ethnic Chinese steward of the Hong Kong Jockey Club, in 1935. His mother, Lady Ida, is best remembered for the faithful maid who perpetually trailed behind, to discreetly settle the many “purchases” her mistress “forgot” to pay for.

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The Chaus, in costume, in 2005. Picture: SCMP
The Chaus, in costume, in 2005. Picture: SCMP
Party and interview fodder for decades, until Kai-bong’s death, in 2010, even the gateposts at the couple’s gold-themed house – Villa d’Oro, at Mount Davis – were enthusi­asti­cally gilded. Gold coins, studded into a custom-made toilet seat, were gleefully shown to every visitor, whether they needed to pee or not. In Hong Kong, a fur coat inevitably covers up ragged undergarments, and like almost all “luxury” abodes here, Villa d’Oro was architecturally uninspired, devoid of craftsmanship, and shamelessly vulgar; the best part – a magnificent view westwards over islands and sea – owed nothing whatsoever to the house itself.
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