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Review | Jon McGregor’s nuanced new novel about a missing child one of his best works yet

In the Man Booker long-listed Reservoir 13, police, press and public spring into action after a 13-year-old disappears but no body can be found. All that lingers is sadness and suspicion

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Jon McGregor’s Reservoir 13 is set in a village in the Peak District, England. Picture: Alamy

Reservoir 13
by Jon McGregor

Fourth Estate

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With only a few days to go before the Man Booker shortlist is announced, I have reached Jon McGregor’s excellent and long-listed Reservoir 13. The premise reads like the stuff of a hundred melancholy news stories: 13-year-old Rebecca Shaw disappears, in this instance in the Peak District, the evocative moorland in the north of England. Family, friends and villagers search for clues, their efforts watched by local police and the international press.

In ways that echo Ian McEwan’s masterly A Child in Time (1987), the girl is not found, ensuring that while her image is frozen in time (Rebecca seems forever to be short, blond and wearing dark jeans and a navy-blue body warmer), life is not: people return to work, journalists lose interest, police run out of options.

What McGregor exploits with subtle power is how Rebecca’s disappearance plagues her hometown – with underlying sadness and, just as smartly, underlying suspicion. The question that disturbs the town and the reader’s imagination is: who abducted her?

I hope McGregor makes the shortlist. He is a fine writer of serious, nuanced fiction and Reservoir 13 is one of his best books to date.

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