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How Hong Kong triad film Young and Dangerous changed the life of indie rap artist Nile Bun of The Low Mays

  • Andrew Lau’s Young and Dangerous, starring Ekin Cheng, follows a group of young triad members, and for rapper Nile Bun, it exemplifies MK (Mong Kok) culture
  • He saw it when he was 15, 10 years after it was made, but feels the attitudes and even dress codes were still around

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Andrew Lau’s triad film Young and Dangerous, starring Ekin Cheng (centre), tells the story of a group of young gangsters. Photo: Golden Harvest

Young and Dangerous (1996), directed by Andrew Lau Wai-keung and starring Ekin Cheng Yee-kin at the head of an ensemble cast, is the first film in a franchise that, for its detailed and largely sympathetic depictions of the lives and struggles of a tightly knit group of young gangsters, has become woven into the fabric of Hong Kong culture.

Nile Bun, a member of Hong Kong independent hip hop group The Low Mays, who semi-ironically celebrate brash, flashy, trend-driven so-called MK (Mong Kok) culture, explains how it changed his life.

I saw it when I was 15, but I’d already heard about it a lot. I guess this movie has just been the centrepiece of MK culture in Hong Kong. I think I finally understood why certain things were glorified, and why people around me often acted the way they did.

The main character is such an inspirational figure to, for want of a better word, trashy young kids. I think it’s a good inspiration – he’s a gangster but he’s sensitive, he’s good looking and he looks out for his brothers.

Nile Bun, a member of Hong Kong independent hip hop group The Low Mays, who semi-ironically celebrate brash, flashy, trend-driven so-called MK culture. Photo: courtesy of Nile Bun
Nile Bun, a member of Hong Kong independent hip hop group The Low Mays, who semi-ironically celebrate brash, flashy, trend-driven so-called MK culture. Photo: courtesy of Nile Bun

I’ve always felt there’s this weird disconnect: all the things they aspired to in the film were about loyalty and friendship – it’s very wholesome – but the set-up is so trashy. It’s about coming out of the dirt, but you’re not polluted by it.

Richard is a Hong Kong-based freelance journalist who writes about a broad range of subjects, but with a focus on the arts and culture. He has been an editor at the Wall Street Journal, editorial director of Haymarket Publishing Asia and the editor of a weekly business magazine in his native UK. A graduate of Oxford University, he is also the author of a successful business book and a former stand-up comedian, the latter of which he wasn’t very good at.
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