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Stephen McCarty

What a viewWu Assassins on Netflix: edgy martial arts show highlights Asian-American talent

  • Set in San Francisco’s Chinatown, the series pulls no punches with explosive action scenes
  • Supernatural elements, triads and a food truck chef make for an opaque, but entertaining, plot

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Iko Uwais as Kai Jin in Wu Assassins. Photo: courtesy of Netflix
The spirit of Bruce Lee must possess more cinematic and televisual creations than that of any other actor. Of the current crop, Warrior, based on Lee’s own concept, is the most obvious of his spirit’s hang-outs. Quentin Tarantino, meanwhile, can be found channelling the master’s moves even when not casting an actor to play him.
With every flying fist, drop kick and one-inch punch, Wu Assassins , on Netflix, brings back thoughts of Lee – naturally, being set largely in San Francisco’s Chinatown. And no punches are pulled in the making of the action scenes, whether featuring Indonesian leading man Iko Uwais as the good guy; Hong Kong-American Byron Mann as Uncle Six, a triad boss and chief bad guy; Hong Kong-born Celia Au as Wu assassin Ying Ying, seemingly from another time; and JuJu Chan, ex-Hong Kong international taekwondo player as Uncle Six’s lethal-weapon bodyguard. Overseeing the commotion is Hong Kong director Stephen Fung Tak-lun – there’s a pattern emerging here.

More opaque is the plot. Uwais is chef Kai Jin, whose big ambition is to own a fast-food truck and whose concession to T-shirt humour is the legend: “Kung Foodie: Street Fusion”. But his career makes an unexpected lurch when Ying Ying drops by, as if in a dream, to tell him that he’s some sort of chosen one.

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Handing him a glowing stone, she reveals he has assumed the power of 1,000 monks, who sacrificed themselves long ago to defeat a quintet of corrupt warlords. The infamous five “waged war against ancient China, leaving the land awash in blood” and now a new generation of evil incarnate is converging on San Francisco – although what exactly the city has done wrong isn’t immediately obvious. It’s up to Kai to vanquish the lot, so it’s just as well he’s also good at chucking knives.

What follows is a martial arts spectacular crossbred with a supernatural fantasy tale and garnished with a dollop of mob nastiness, embodied especially by Uncle Six. Superficially smiling and considerate, he is a sadistic executioner with otherworldly powers of his own – and turns out to be Kai’s stepfather.

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“I’m not a killer, I’m a chef,” protests Kai in one of his goofier moments. “No, Kai – you are the Wu assassin,” Ying Ying assures him.

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