What a viewNetflix period K-drama Mr. Sunshine and Amazon Prime’s Hollywood Horrorfest are both essential viewing
Netflix brings K-drama to a global audience with the sumptuously shot series, featuring big-screen box-office favourites Lee Byung-hun and Kim Tae-ri on the small screen
Which brings us to Mr. Sunshine, the sumptuously shot K-drama deliberately parked at Netflix to attract the widest global audience possible.
Escaping the conflict, our resourceful urchin stows away on a Manhattan-bound ship and eventually joins the United States Marines, returning to Joseon (as the grown-up Lee). Once there, all manner of conflicts, betrayals and serendipitous coincidences prove to be enjoyable, long-winded plot devices bolstering the inexorable but initially secret romance between Eugene and Kim Tae-ri (big, supporting box-office draw) as the delicate but determined patriot Go Ae-sin.
With five season-one episodes to go, the narrative strands of political and personal import are approaching crunch time. The dastardly Japanese – the real enemy, epitomised by fanatical colonel Takashi Mori – covet the country and will no doubt stage some big-bang finale especially for instalment 24. Eugene’s and Ae-sin’s romantic cover is now blown and the latter’s probable rebellious heritage has been sniffed out by her conniving compatriots.

Mr. Sunshine is the sort of high-quality soap that, thankfully, rewards the patience required to find out what happens. And perhaps who the eponymous and enigmatic Mr. Sunshine is. If you’re just starting the early episodes, it can be confusing working out who is who (clue: the Joseon baddies, especially the malicious government officials, wear the most extravagant hats) and whether this peasant or that is virtuous freedom fighter or mendacious traitor.
