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Jason Wordie

Then & NowBeehives and buns: when wigs were big and Hong Kong’s human hair trade thrived

Long a symbol of status and wealth, wigs fell out of fashion in the freewheeling 1970s, but the preceding decades marked a boom time for Hong Kong wigmakers

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Actress Audrey Hepburn famously sported a beehive hairstyle in 1961 film Breakfast at Tiffany's. Women wanting to copy the style often resorted to wigs, many of which would have been made in Hong Kong at the time.

Along with the miniskirt, towering, glossy beehive hairdos are among the images associated with the 1960s. All around the world, women who could afford to embraced the “swept-up” look. The problem was, few had tresses long enough to give the style its fullest effect. No problem – a well-made wig could create the same impression, with no more effort than taking it out of the box and pin­ning it in place.

Wigs also afford­ed relative anonymity for public figures, especially Chinese movie stars; by not wear­ing a bee­hive wig, and donning a pair of sun­glasses and ordinary clothes, a perennial paparazzi victim could easily blend into the crowd.

A wig factory in Hong Kong, in 1969. Picture: SCMP
A wig factory in Hong Kong, in 1969. Picture: SCMP
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Wigs, of course, are nothing new. Each historical period has its own defining fashions, and 18th-century Europe saw the rise of the powdered wig, for both men and women. Some were made of horsehair or other glossy natural fibres, such as jute, but most used human hair.

Hong Kong judges and barristers still wear powdered horsehair wigs in the higher courts and on ceremonial occasions. Picture: SCMP
Hong Kong judges and barristers still wear powdered horsehair wigs in the higher courts and on ceremonial occasions. Picture: SCMP
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A lingering sartorial remnant from these times can still be seen in Hong Kong’s courtrooms, where part of the formal attire for barristers is a powdered horse­­hair wig, tied in a bow at the back; judges wear a longer, thickly ringletted version.

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