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Hong Kong's History of False News, Pranks and Scams

From Jackie Chan's death to a Hang Seng collapse that never happened, a look back at the city's falsehoods.

Reading Time:6 minutes
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Illustration: Pierre Pang

In 2005 the city woke up to a brand new musical sensation. Actors Daniel Wu, Terence Yin, Andrew Lin and Conroy “Drunk” Chan announced that they’d got together one night at karaoke and realized that they should start a group: and so four-piece boy band Alive was born. The group recorded an EP and was outraged when they discovered that one of their tracks had been illegally ripped and shared online before its actual release. Still, between that and a spot of bad-boy behavior—Wu ripped into “pale skin” Disneyland staff while filming a promo feature for them—the band got noticed. It looked like Alive was well on its way to Cantopop superstardom.

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Except, of course, that none of it was real. Alive was actually a band created by the four in order to make 2006 mockumentary satire “The Heavenly Kings,” a skewering of the city’s pop industry—as Daniel Wu gleefully announced after the film’s premiere at the Hong Kong International Film Festival.

Illustration: Kay Leung
Illustration: Kay Leung

The four had come up with the idea of a mockumentary, then realized that the cheapest way to make the movie was actually to create the band. If they really performed they wouldn’t have to pay extras, could accept advertising cash, and so on. The song leak: they’d engineered it. Most of the band were pretty crap singers auto-tuned into harmony, and each was acting out a heightened version of their public persona: from Wu’s control freak image to Chan’s fame because he’s married to the much more famous Josie Ho.

The media, which had reported gleefully on Alive’s tribulations, was unamused: But the film won Daniel Wu “best new director” at that year’s Hong Kong Film Awards. Alive lives on through their website www.alivenotdead.com, which has transformed into a social media and booking platform which works to give Hong Kong artists a global reach. From scene satire to scene saviors overnight: Maybe we should be waiting for the other shoe to drop.
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Illustration: Kay Leung
Illustration: Kay Leung
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