Interview: Korean artist Do Ho Suh on the meaning of home and his fish obsession
My work has always evolved around my personal experience with the spaces that I lived in, says the artist known for his sculptures modelled on the places he has lived.

That kind of separation anxiety happens all the time, but it happens less and less. Maybe I feel that for a second, but I know that somebody is going to appreciate the work — especially if it goes into a museum. Also, with few exceptions, the objects [replicated in my works] are not something unique. It's something mass-produced and you can easily find in any cheap New York apartment, for example.
[ Laughs] That's true, but for many people you live in a place where a lot of people have lived, unless you built your own house. Those objects and spaces are very personal because I lived there, but there were many people who lived there before. So there's a personal attachment, but also the general public could associate with the objects one way or the other.