bodyType

customContents

entityId

entityUuid

articlePageQuery

filter

article

articleBaseAdvertisingInfoArticle

articleListArticle

articleSeoArticle

helpersCheckIsPostiesArticle

hooksArticleAcknowledgementGateOverlayArticle

hooksTrackPageViewArticle

hooksContentInterestArticle

articleLinkingDataContent

articleSchemaContent

liveArticle

advertZone

sentiment

contentLock

topics

types

sections

moreOnThisArticles

urlAlias

commentCount

sponsorType

authorLocations

authors

paywallTypes

corrections

displaySlideShow

multimediaEmbed

printHeadline

seriesContainer

socialHeadline

headline

flag

firstTopic

glossary

flattenTypeIds

publishedDate

additionalInfoBoxes

images

image

relatedLinks

relatedNewsletters

__typename

createdDate

sponsor

factSheets

series

disableOffPlatformContent

published

updatedDate

summary

subHeadline

body

keywords

copyrighted

customTimezone

liveContents

Pierce Conran

1/5 stars
Lead cast: Song Kang, Lee Jin-wook, Go Min-si, Lee Do-hyun, Lee Si-young
There is a moment in the first episode of Sweet Home season 3, the concluding chapter of Netflix’s big-budget monster series, when Go Min-si’s Lee Eun-yu headbutts the “monsterised” Cha Hyun-su (Song Kang) to bring the normal Hyun-su back out again, if only briefly.
It is a moment that may elicit a wistful sigh from those watching at home, as, by this point, any hope that the show might snap back to its senses after the lamentable season 2 has already been dashed.


Rather than the improvement we had hoped for, season 3 marks the nadir of a series that has experienced a clear downward trajectory. Simply put, it may be the worst Korean drama we have seen in 2024.
As with season two, the main problems with this new batch of episodes have been how unwieldy the story has become, the disappointing digital creature design, and the befuddling world-building and mythology.
The first season of Sweet Home focused on a manageable group of characters, all living within the same building and, for the most part, working towards a common goal of survival.
It is a narrative structure that has worked on screen time and time again for creators: from America’s The Towering Inferno to Indonesia’s The Raid, as well as Korean hits such as the disaster film The Tower and the zombie survival drama series Happiness.

Sweet Home season 2 followed the survivors of that first batch of episodes as they spilled out into the wide world and broke off into various factions. The cast ballooned when they were joined by a dizzying array of soldiers, civilians, mad scientists and new monsters.
This more-is-less approach extended to the creature designs as well. Many of the earlier monsters we loved were created through tactile and memorable practical effects. Seasons 2 and 3 abandoned these designs in pursuit of adding more monsters than ever before, all of them digitally created, none of them memorable.
The second season also struggled in the way that it built out its mythology.
Sweet Home’s core concept may be fantastical, but it is based on a few simple ideas, such as having people turn into unique monsters that show their fears or desires, which viewers can understand, and to some degree, relate to. There were a few inconsistencies, but the thematic and narrative clarity of the concept made for easy viewing.

In season 2, the mythology spewed out all over the place, resembling the unruly weeds sprouting in all the cracks and crevices of Sweet Home’s dreary urban dystopia.
Recalling the similarly poorly thought-out creature concepts seen in shows like Dark Hole and Monstrous, the monsters were not governed by any coherent rules. They could swap between bodies, interact with confusing inner “mind” worlds, and so on and so forth.
Rather than seeking to address them, the new season embraces the problems created by season 2. This is not all that surprising, since seasons 2 and 3 were shot concurrently; it would have been difficult for the creators to incorporate any viewer feedback from the second season.
Yet despite going all in on the dubious elements introduced in season 2, season 3 strangely lacks conviction. It is as though the creators knew there was a problem but just ploughed through until the end anyway.

Take, for example, all those extra characters carried over from the second season, many of them members of the stadium survivors camp. For the most part, these were not great characters, but they had more to do in season 2.
This time they are still around, with the show routinely catching up with them, but it’s not clear what, if anything, they are supposed to be adding to the narrative.
Sadly, even the core characters from season 1 had become so twisted that they were simply unrecognisable from the protagonists that drew us to Sweet Home in the first place.
There was Lee Jin-wook’s Pyeon Sang-wook, a hero who transformed into a villain in season 2 and closes out the series as a convoluted antagonist, and Lee Do-hyun, who returns this season as a “neohuman”, the final stage of monsterisation which turns humans into immortal but utterly vacuous beings who shuffle around listlessly like lobotomised zombies.

By the time Sweet Home season 3 winds to a merciful close – let’s hope there is no season 4 – you may find yourself feeling like one of those neohumans, drained of emotion and wandering aimlessly.
Sweet Home season 3 is streaming on Netflix.


Netflix K-drama A Virtuous Business review: comedy drama sidesteps its cheeky premise

Disney+ K-drama Jeongnyeon: The Star Is Born review – soaring performances save the show

Squid Game back for season 2, The Fiery Priest returns, shows stir up alcohol controversy: 5 K-drama stories

Gladiator II, The Last Dance, Love in the Big City, Cesium Fallout: our latest film reviews

Korean drama reviews

Netflix K-drama Sweet Home season 3 review:  Monster series finale is truly an abomination

Go Min-si as Lee Eun-yu (left) and Song Kang in a still from Sweet Home season 3. Photo: Netflix

Song Kang as Cha Hyun-su in a still from season 3 of Netflix K-drama Sweet Home. Lee Jin-wook, Go Min-si, Lee Do-hyun and Lee Si-young co-star. Photo: Kim Jeong Won/Netflix

Lee Do-hyun as Lee Eun-hyeok (left) and Go Min-si as Lee Eun-yu in a still from Sweet Home season 3. Photo: Kim Jeong Won/Netflix

Lee Jin-wook as Pyeon Sang-wook in a still from Sweet Home season 3. Photo: Kim Jeong Won/Netflix

Lee Do-hyun as Lee Eun-hyeok (left) and Song Kang as Cha Hyun-su in a still from Sweet Home season 3. Photo: Netflix

Lee Jin-wook as Pyeon Sang-wook (left) and Lee Si-young as Seo Yi-kyeong in a still from Sweet Home season 3. Photo: Kim Jeong Won/Netflix

7 of the best new K-dramas to watch in July 2024, including Netflix’s Sweet Home season 3

Lee Do-hyun in a still from Sweet Home season 3. Photo: Kim Jeong Won/Netflix

Song Kang in a still from Sweet Home season 3. Netflix’s monster K-drama returns this July along with new releases such as Disney+ action thriller Red Swan and webtoon adaptation Serendipity’s Embrace. Photo: Kim Jeong Won/Netflix

Sweet Home 3’s Jung Jin-young set for Miss Granny remake and more, in K-drama casting news

Jung Jin-young in a still from Sweet Home season 3. In the latest K-drama casting news, the actor will feature in a TV remake of the hit Korean film Miss Granny. Photo: Netflix

Kim Hae-sook in a still from My Demon. She will play the older version of Oh Mal-soon in a Miss Granny TV remake.

Cha Joo-young in a still from The Glory. Photo: Netflix

Moon Ga-young in a still from Link: Eat, Love, Kill. She will star in tvN drama Black Salt Dragon.

Shin Se-kyung in a still from Run On.

Tarot, new K-drama horror anthology with Dex, Parasite’s Cho Yeo-jeong a mixed bag so far

Cho Yeo-jeong in a still from Tarot.

Cho Yeo-jeong as Ji-woo, a working mother who leaves her daughter home alone, in a still from the first episode of Tarot. The K-drama horror anthology series sees the ill-fated main character change with each episode.

Dex in a still from Tarot.

Ko Kyu-pil in a still from Tarot.

Cho Yeo-jeong as Ji-woo in a still from Tarot.

Midseason recap of Netflix K-drama Miss Night and Day, enjoyable but overstuffed fantasy

Jung Eun-ji in a still from Miss Night and Day.

Choi Jin-hyuk (left) and Jung Eun-ji in a still from Netflix series Miss Night and Day. Lee Jung-eun co-stars.

Choi Jin-hyuk as prosecutor Gye Ji-ung in a still from Miss Night and Day.

Lee Jung-eun as Lim Sun in a still from Miss Night and Day.

Choi Jin-hyuk (left) and Baek Seo-hoo as Ko Won in a still from Miss Night and Day.

Jung Eun-ji as Lee Mi-jin in a still from Miss Night and Day.

K-drama Good Partner: Jang Na-ra and Nam Ji-hyun lead promising legal series

Jang Na-ra as established divorce lawyer Cha Eun-kyung in K-drama series Good Partner, in which she crosses paths with  brilliant rookie lawyer Han Yu-ri (Nam Ji-hyun).

Nam Ji-hyun as rookie lawyer Han Yu-ri in a still from Good Partner.

Jang Na-ra as divorce lawyer Cha Eun-kyung in a still from Good Partner.

Nam Ji-hyun as Han Yu-ri in a still from Good Partner.

Jang Na-ra as Cha Eun-kyung in a still from Good Partner.

Lifestyle

K-Pop

K-drama

Entertainment

Culture

Film & TV

Season 2 of Sweet Home was bad enough, but the third season of this unwieldy monster series from Netflix is the worst K-drama of 2024 so far


Korean drama series on Netflix has gone from bad to worse with each series; its unwieldy plot lacks conviction, and there are too many disappointing digital monsters and characters.


K-drama news

What's hot in Korea

South Korean celebrities

Fame and celebrity

TV shows and streaming video

Netflix

Lee Do-hyun

An assessment or critique of a service, product or creative endeavour.  Film reviews, restaurant reviews, reviews of art exhibitions. (Eg. Crazy Rich Asians: an important film, yes, but a good one?)


Review

Review | Netflix K-drama Sweet Home season 3 review: Monster series finale is truly an abomination

Season 2 of Sweet Home was bad enough, but the third season of this unwieldy monster series from Netflix is the worst K-drama of 2024 so far