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Netflix K-drama The Uncanny Counter’s writer leaves the hit show over creative differences in a surprise twist

  • It is not unusual for writers to leave shows while they are still airing, but not top-rated series such as The Uncanny Counter, about a group of demon-hunters
  • Yeo Ji-na is said to have disagreed with the direction its narrative was taking. Fans were taken by surprise, and its rating plateaued in South Korea

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Jo Byung-gyu in a still from The Uncanny Encounter. The writer of the hit Korean TV drama has left the production over creative differences.

In a surprise off-screen twist, Yeo Ji-na, the writer of The Uncanny Counter, has left the hit Korean TV show. A representative for the OCN series announced the news on Sunday. Yeo’s last script was for episode 12, which aired on January 10.

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Yeo disagreed with the producers of the show over the direction its narrative was taking in the final episodes. Reports suggest that rather than a major blowout, a mutual split was decided after a long discussion between both parties.

The news was met with surprise by fans of the show, which has been a major success for OCN, becoming the first to top a 10 per cent audience rating in the cable TV channel’s history. Several viewers had previously wondered whether the show had suddenly taken a different direction once it returned from a short break after episode 8.

Series director Yoo Sun-dong stepped up to write the script for episode 13, which aired on January 16, while a new writer was found to pen the remaining three episodes in the series. Episode 14, which screened on January 17, was credited to Kim Sae-bom.

The show was Yeo’s first credit in nine years, following The Man Who Can’t Get Married on another South Korean television channel, KBS2. Replacement writer Kim was one of the scriptwriters on the youth romance film Hello Schoolgirl.

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