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Review | Huawei Mate 40 Pro review: great hardware, no Google software in what could be Huawei’s last Android phone

  • Huawei has come up with an amazing phone despite problems caused by US sanctions. If this is its last Android model, the Chinese firm is going out on top
  • Its camera outshines that of the iPhone 12, and its 5nm chip has plenty of power, but it misses Google services

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The Huawei Mate 40 Pro with its unique circular camera module. This could be Huawei’s last Android-powered smartphone. Photo: Ben Sin

Huawei’s latest flagship smartphone, the Mate 40 Pro, could mark the end of an era. With US sanctions shutting off its access to high-end chips and the Chinese company’s recent announcement that we will see at least one smartphone in 2021 running on its in-house HarmonyOS operating system, this could be the last Android-powered Huawei smartphone with a cutting-edge chip.

Until then, the Mate 40 Pro is yet another hardware powerhouse.

Design and hardware

The Mate 40 Pro continues the design aesthetic established by the Mate 20 Pro: a drastically curved OLED screen, a 3D face unlock system (a rarity in Android), and a centrally located, circular camera module.

The Huawei Mate 40 Pro has a circular camera module. Photo: Ben Sin
The Huawei Mate 40 Pro has a circular camera module. Photo: Ben Sin

The Mate 40 Pro’s main camera system comprises a 50-megapixel main lens with the largest image sensor size in the industry (for better light intake); a 20-megapixel ultrawide-angle camera; and a 12-megapixel Periscope zoom lens that offers 5X lossless optical zoom.

This is not the most powerful zoom lens in Huawei’s line-up – the more premium Mate 40 Pro+ and Huawei P40 Pro+ use an even better 10X lossless Periscope sensor. But truth be told, the current 5X lens here still produces far sharper zoom shots than the iPhone 12 or other Androids. That 10X lens is almost an unnecessary flex.
Ben Sin
Ben is an independent tech writer covering the latest gadgets - as well as reviewing the occasional film - for the South China Morning Post. Prior to this, he spent five years with the company, first as a culture writer, then as a sub-editor. He's also held staff writing positions with the Village Voice and Sports Illustrated in New York, and has been published in the New York Times and Wall Street Journal.
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