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Gaumont retrospective introduces Hong Kong audience to classic French films

Silver screen standouts including Eyes Without a Face, The Dinner Game and Léon, the Professional feature in the Hong Kong French Film Festival

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A still from Louis Malle’s Elevator to the Gallows.
Edmund Lee

After showcasing some of the most notable recent films of French cinema in November and December, the Hong Kong French Film Festival is kicking off its second half with a 12-film retrospective programme celebrating the 120th anniversary of Gaumont, the oldest film company in the world.

A still from Georges Franju’s Eyes Without a Face.
A still from Georges Franju’s Eyes Without a Face.

Founded by French inventor and engineer Léon Gaumont in 1895 (commonly regarded as the year cinema was born), the company has worked with some of world cinema’s greatest directors – from Federico Fellini and Ingmar Bergman to Roberto Rossellini and Jean-Luc Godard – and remains a venerable player in the fields of production and distribution today.

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A still from Jean Renoir’s French Cancan.
A still from Jean Renoir’s French Cancan.

Of the dozen titles, seven are from the 1960s and ’70s. While Georges Franju’s Eyes Without a Face (1960) is arguably the best known in this group, the programme is also scattered with lesser-seen gems, such as Henri Verneuil’s Greed in the Sun (1964) and Georges Lautner’s Monsieur Gangster (1963) and The Great Spy Chase (1964).

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Georges Lautner’s Monsieur Gangster is an example of classic French cinema.
Georges Lautner’s Monsieur Gangster is an example of classic French cinema.
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