Trans actor Elliot Page’s new book Pageboy is a story of shame, trauma and self-discovery

On the cover of his autobiography, Pageboy, Elliot Page is shown wearing a fine-ribbed undershirt, jeans and a necklace. His hair is short; he looks self-confidently straight into the camera. The Canadian actor’s first book went on sale in early June. In 29 chapters and more than 300 pages, Page movingly tells his life story, one of shame, trauma and self-discovery. Page, now 36, first achieved fame in the dramatic comedy Juno in 2007, playing a pregnant teenage schoolgirl. The film gained the then Ellen Page an Oscar nomination for best actress in a leading role. Afterwards, Page’s career took off in Hollywood, with roles in Inception, To Rome with Love, X-Men: The Last Stand and The Umbrella Academy. Increasingly in the Hollywood spotlight, Page had to conceal his sexuality and his rejection of his own body – that of a woman – with feelings accompanied by depression, panic attacks and eating disorders. Page writes that he often had had the idea of writing a book, but it is only now, after his top surgery – the procedure to remove breast tissue to achieve a more masculine shape – that he feels right in his own body and able to manage the task. As Stephen Chow turns 61, 5 of his best movies, including Shaolin Soccer His story is one that is all the more urgent, given how transgender persons are increasingly victims of physical violence and hostility. By telling it, Page hopes to contribute towards “clearing up persistent misinformation about queer and trans life”. Already at the age of four he instinctively knew that he was not a girl, he says. One of his earliest childhood memories as Ellen is that of trying to urinate standing up, like a boy. “I would press on my vagina, holding it, pinching and squeezing it, hoping I could aim,” he wrote. “Can I be a boy?” he would ask his mother. He fought to keep his hair short. He felt terrible wearing a dress. Page describes growing up in the Canadian port city of Halifax. At an early age, his parents divorced. At school he got crushes on girls, and was bullied by classmates and called a lesbian. Following the success of Juno just after he had turned 20, newspapers began to speculate about the actor’s sexual orientation. Then there was the pressure from Hollywood to conceal his queer side for the sake of his career. In emotional terms, he describes the trauma of battling against his own body, scarcely eating and cutting himself with knives. Then, in 2014, he outed himself at a youth conference of the Human Rights Campaign, the largest organisation representing LGBTQ people in the United States. He said he no longer wished to hide and lie about himself. In Pageboy, he writes that this move was one of the “most important and healing moments” of his life. He was “not quite at the end of my road yet, but quite a few steps further”. Page is unsparing in recounting the lurid and painful details of his experiences along that road. In a chapter titled “Famous A**hole at Party”, he tells of an incident in 2014, shortly after coming out as lesbian, when a famous A-list actor told him: “You aren’t gay. That doesn’t exist. You are just afraid of men.” And then the threat: “I’m going to f*** you to make you realise you aren’t gay.” Page did not identify the actor, but the incident was witnessed by others at the party. A few days later, he ran into the actor, who claimed he didn’t “have a problem” with gays. To which Page replied: “I think you might.” For Page, such incidents show the battles that transgender people have to face. “The world tells us that we aren’t trans but mentally ill,” he writes. “That I’m too ashamed to be a lesbian, that I mutilated my body, that I will always be a woman, comparing my body to Nazi experiments. “It is not trans people who suffer from a sickness, but the society that fosters such hate.” Page writes about love and his marriage to the dancer Emma Portner, and the end of the marriage three years later, soon after his coming out as the transgender man Elliot. That was in December 2020, when he told social media that he wanted to be addressed using the masculine pronouns “he” and the gender-neutral “they”. Embracing his trans identity had been the result of a “damn long journey” in which “I made the decision to love myself”, he writes. Page doesn’t leave out any details in the book: from the gender-reassignment breast surgery and the tubes in his body afterwards, to testosterone injections and the joy he felt seeing the first photo of himself only in red swimming trunks. “You can’t grin wider,” he writes, while describing the snapshot with the scars still visible on his upper body. Posting the photo in May 2021 on Instagram, he wrote: “Trans bb’s first swim trunks” – adding the hashtags #transjoy and #transisbeautiful. Summing up his own account of embracing his transgender identity, Page writes: “This is the story of someone who finds himself – amidst obstacles, shame, hopelessness and pain. Who emerges from it and blossoms in ways he never thought possible.”