Advertisement

Review | Halloween Ends movie review: Jamie Lee Curtis faces The Shape one last time in perfectly gory finale to the slasher series – at least for now

  • Although the first half of the film is gentle by slasher standards, crushed bodies, torched heads and severed tongues later lend a satisfying amount of gore
  • The movie closes on the word ‘Ends’, but is this really the finale of the Halloween franchise? In Hollywood, there’s always a way for the boogeyman to return

Reading Time:2 minutes
Why you can trust SCMP
Jamie Lee Curtis (front) as Laurie Strode, and James Jude Courtney as The Shape, in a still from Halloween Ends.

3/5 stars

Advertisement

A decisive-sounding title like Halloween Ends suggests that this might be the very last movie from the long-running slasher franchise, but don’t count on it. The series of horror movies started by John Carpenter and Debra Hill, and starring Jamie Lee Curtis as terrorised babysitter Laurie Strode, has been through repeated reboots and resurrections since its 1978 debut.

This latest run, directed and co-written by David Gordon Green, has Curtis back as a PTSD-suffering Strode who must finally face off with her supernatural tormentor Michael Myers – aka “The Shape” (James Jude Courtney).

While 2018’s Halloween was promising, 2021’s Halloween Kills was a gory mess of a movie, as the townsfolk of Haddonfield – the US town where the franchise is set – turned into a bloodthirsty mob and Strode lost her daughter.
Halloween Ends - The Final Trailer

Now, four years on, Myers has disappeared, and the film begins with an incident that sees youngster Corey Cunningham (Rohan Campbell) accidentally involved in the death of a boy he was babysitting. Although he doesn’t go to prison, he’s ostracised – forever known as the local “psycho”.

Advertisement

Strode takes pity on Cunningham and even introduces him to her granddaughter Allyson (Andi Matichak), with the two hitting it off. For the first half it’s all fairly sedate, at least by Halloween standards – with Corey’s struggles front and centre.

Advertisement