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Review | Goddamned Asura movie review: a Taiwan shooting spree forms the basis of Lou Yi-an’s kaleidoscopic portrait of urban malaise

  • A fatal night market shooting in Taiwan is examined from the perspective of several different characters – as well as exploring several different outcomes
  • Although the film poses more questions than it answers, it manages to draw viewers in with its tight web of cause and effect, and portrait of urban malaise

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A still from Goddamned Asura (category IIB, Mandarin), starring Joseph Huang. Directed by Lou Yi-an.

3/5 stars

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Taiwan’s official entry for the 2023 Academy Awards, Goddamned Asura, is a fast-paced, twisting social drama that follows half a dozen different characters, all of whom are connected to a fatal night market shooting.

Director Lou Yi-an paints a deliberately fractured portrait of contemporary life. Inspired by real events, the film opens with mobile phone footage of the shooting, in which we see Jan-wen (Joseph Huang Sheng-qiu) walking through the market, shooting indiscriminately into a busy crowd.

The film then jumps back a few days to document what drove this young man to commit this act, as well as introduce us to victims and witnesses at the scene.

3/11 GODDAMNED ASURA Official trailer / 《該死的阿修羅》正式預告

These include Hu Sheng (Lai Hao-zhe), a meek civil servant who is a popular online gamer at night. His wife, Vita (Huang Pei-jia), works in the marketing department of a hugely popular gaming company, which in turn inspired Jan-wen and his friend Axing (Devin Pan Gang-da) to create a webcomic called “Raging Zero”.

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Then, there is Zero (Wang Yu-xuan), a fiercely intelligent yet impoverished young woman who is forced to break the law to support her alcoholic mother. Finally, journalist Mold (Mo Tzu-yi) has been hanging around the neighbourhood and writing about life on the estates even before he witnesses the shooting.

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