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Forget BTS and Blackpink, it’s time for Q-pop from Kazakhstan – the new cultural phenomenon to rival K-pop

  • Qazaq pop – or Q-pop, as it’s also known – is a pop music genre that has a growing number of male heartthrobs and sultry female singers
  • Leading the way is boy band Ninety One, with their 2019 track Men Emes getting more than 12 million views on YouTube

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Boy band Ninety One from Kazakhstan were the pioneers of the Q-pop genre – pop sung in Kazakh – with the release of their debut song, Ayptama, in 2015.

Melodramatic music videos, slick dance routines and edgy street fashion: you’d be forgiven for thinking you’re watching a new K-pop group. Then you notice something is different: that spitfire rap verse and heart-wrenching chorus isn’t being sung in Korean, but Kazakh.

Qazaq pop – or Q-pop, as it’s more commonly known – is a genre that bears striking similarities to K-pop with its heartthrob boy bands, smouldering female soloists and all. It might not yet possess the same cultural cachet as K-pop, but Q-pop is making waves in Kazakhstan.

Leading the charge is boy band Ninety One. Their 2015 debut song, Ayptama, features the five members – all suitably shaggy-haired and chiselled – glowering at the camera as they bemoan a fickle lover over a peppy EDM track.

Later, they bust out a choreographed dance routine in an empty car park. It’s a reliable K-pop formula if there ever was one – member Ace was even a former trainee at K-pop titan SM Entertainment.

But it’s in their recent songs that Ninety One really started fleshing out the Q-pop formula, such as on the lead track from their 2019 album of the same name, Men Emes.

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