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Line Walker 2: Nick Cheung and Jazz Boon on Louis Koo, heroic bloodshed films and police characters

  • Line Walker 2 reunites director Boon with Cheung, Koo and Francis Ng for a bigger, louder sequel far more engrossing than the original film
  • Boon calls it a ‘Mission: Impossible made by Hongkongers’, while Cheung explains why he won’t stop playing corrupt cops despite the social climate

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Line Walker 2 reunites actor Nick Cheung (left) with director Jazz Boon for a compelling homage to the “heroic bloodshed” films of the 1980s and ’90s. Photo: Edward Wong

It is not every day that you see the sequel curse broken in such impressive style.

Line Walker was a mediocre action thriller from 2016, a spin-off from a hit TVB drama series of the same name. Line Walker 2 reunites director Jazz Boon with his lead actors (Nick Cheung Ka-fai, Louis Koo Tin-lok and Francis Ng Chun-yu) for another round of police undercover intrigue – albeit bigger, louder and far more engrossing.

Cheung and Boon – who has been one of TVB’s top directors and producers since the late 1990s – sat down with the Post to discuss the making of Line Walker 2. The film tells a stand-alone story involving everything from international terrorism to child killers, with a good old dose of conflicted nostalgia among “blood brothers”.

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While the first film felt very much like a spin-off from a TV drama series, Line Walker 2 is a considerably more cinematic experience and an improvement in most aspects. Has the chance to work with a completely new story proved liberating?

Jazz Boon: The truth is that when I came up with the Line Walker series a very long time ago, I saved up several stories – including those that have been turned into these two films. When I conceived them, I thought I shouldn’t restrict myself to stories about undercover agents in the police and triads – we’ve watched those too many times before.

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Line Walker 2 is precisely my original vision: this is a Mission: Impossible film made by Hongkongers. That was not possible on a TV show’s budget, but with the audience’s support, we’re finally able to realise it with this film reboot.

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