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Ambitious eco-feminist art exhibition in Hong Kong pulls no punches as it suggests alternative ways to tackle world’s environmental crises

  • ‘Green Snake: Women-centred Ecologies’ at Tai Kwun explores the connection between ecology and feminism in the context of the global environmental emergency
  • The show contains over 60 works from artists and collectives from 20 countries, including Nepal, Ecuador, Colombia, South Africa, China and Hong Kong

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“The Red River”, a 2023 work by Palestinian artist Dima Srouji, is seen with other pieces at “Green Snake: Women-centred Ecologies”, a new eco-feminist exhibition at Tai Kwun Contemporary in Hong Kong. Photo: Courtesy of Tai Kwun Contemporary
Erika Na

A major art exhibition in Hong Kong pulls no punches in highlighting the relationship between exploitative global economics and the world’s environmental crises.

To survive, “Green Snake: Women-centred Ecologies”, at Tai Kwun Contemporary in Central, suggests alternative ways of living and caring for the environment based on indigenous knowledge and, as the title suggests, women’s experiences and perspectives.

It is an ambitious show, with over 60 works from artists and collectives from 20 countries, including 16 new commissions.

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“At every end of the year we stage an exhibition that looks into some of the most urgent issues humankind faces at the moment,” says Pi Li, head of art at Tai Kwun.

“A Cobra Grande” (2019), by Carolina Caycedo, at “Green Snake: Women-centred Ecologies”. Photo: Courtesy of Tai Kwun Contemporary
“A Cobra Grande” (2019), by Carolina Caycedo, at “Green Snake: Women-centred Ecologies”. Photo: Courtesy of Tai Kwun Contemporary

Given the focus on alternative views, many of the artists hail from countries and cultures less visible in art history and mainstream media, including Nepal, Ecuador, Colombia and South Africa, as well as from China and Hong Kong (represented by Jaffa Lam’s new work evoking the powers of Tin Hau, goddess of the sea).

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