Advertisement
Advertisement
Art
Get more with myNEWS
A personalised news feed of stories that matter to you
Learn more
Angelle Siyang-Le, Art Basel’s newly appointed director for Hong Kong. The mother of two talks about the importance of “soft” power and why it is OK to be bubbly. Photo: K. Y. Cheng

Profile | ‘Call the dad instead’: Art Basel Hong Kong director on society’s expectations of women, ‘soft’ power and Hong Kong’s first art fair since the pandemic

  • Angelle Siyang-Le’s art career began in Dubai in the United Arab Emirates because she was ‘chasing love’. Now she is the director of Art Basel Hong Kong
  • On International Women’s Day, she explains why leadership has not changed her ‘bubbly and expressive’ nature, and the societal pressure she feels as a mother
Art

In November 2022, Art Basel Hong Kong announced that Angelle Siyang-Le had been promoted to director, and that her initial task was to prepare for the first staging of the contemporary art fair taking place following the city government’s dropping of restrictions on international arrivals.

The fair, now in its 10th year, has faced unprecedented challenges since the start of the Covid-19 pandemic, when it was scaled down because of social-distancing rules and quarantine requirements for arrivals.
The future of Hong Kong as an art hub is also up for debate given growing competition in the region, the slowdown of the Chinese economy and the introduction of Hong Kong’s national security law.

The law was passed in 2020 and aims to prevent and punish secession, subversion of state power, terrorism and foreign interference.

Siyang-Le (right) in 2010, when she was the collection representative of The Farook Collection in Dubai. Photo: Angelle Siyang-Le

Siyang-Le, a mother of two in her mid-30s, is a well-known figure in the art world, having been head of development for Greater China and the Asia head of gallery relations at Art Basel since 2017.

She has big shoes to fill – Adeline Ooi, who directed Art Basel Hong Kong before Siyang-Le was appointed to her new role, oversaw a period of expansion for the fair from 2015 onwards, and she will remain Art Basel’s regional director of Asia.

So how did Siyang-Le get to where she is now? She quips that her art career began in the Middle East because she was “a woman full of emotions and romantic thoughts”.

“In my early 20s, I moved to Dubai [from London] for my boyfriend at the time. I was chasing love.” Having grown up between mainland China and the United Kingdom, she cites Art Dubai as her first up-close art fair experience, after which she went on to work for art galleries, art spaces and private collections “on and off for about three years” in the United Arab Emirates.

Because she worked in the Middle East at a time when the contemporary art scene there was just beginning to develop, Siyang-Le was able to make strong connections within the region’s art scene. “What made my experience different was that I worked among the art community, which was, and I believe still is, dynamic and multicultural. I felt welcomed and respected as a young woman,” she says.

Siyang-Le (second from left) inside a crate that her Dubai gallery team were installing at Art HK 2011. Photo: Angelle Siyang-Le
When Art Basel merged with the Hong Kong International Art Fair – founded in 2008 and also known as “Art HK” – in 2013, Siyang-Le moved to the city as a gallery and project manager and part of the team that was formed to stage the first edition of what had become the Swiss-owned fair’s flagship event in Asia.

“We started as a small team of fewer than 10 people, and we already had around 250 galleries. It was intense. Hong Kong was such a vibrant city that everyone wanted to learn about,” she recalls.

Fast forward to today, and the 2023 fair will have 177 galleries exhibiting, down on previous years; attendance at the fair, having set a record of 88,000 in 2019, has been sharply lower for the past three years.

Siyang-Le poses in Wan Chai. She was Asia head of gallery relations at Art Basel from 2017 until her recent appointment as director of Art Basel Hong Kong. Photo: K. Y. Cheng

There is a lot of pressure on the fair to deliver, but Siyang-Le is confident – and calm – about being able to manage her time.

“In the past 10 years with Art Basel, I’ve come to know the nature of the job and its cycle very well,” she says. “Even when I was dating my husband, he knew that he would not see me between January and March [the period of preparation for the Hong Kong fair]. So, in terms of expectations, I have mentally prepped myself and my family quite well.”

As a mother of two, does she find it harder for women to have it all? Siyang-Le ponders the question. “My answer is, I don’t know, because I’ve never been a man. I don’t have a comparison.

“But I do agree, to an extent, that society has certain expectations of mums. For instance, if anything happened to the school or the kids, the administration would naturally reach out to the mum first.” She recalls the times when she was on work trips and had to tell the school, “Sorry, can you please call the dad instead?”.
Siyang-Le with her husband and firstborn in 2019, when she was pregnant with her second child. Photo: Angelle Siyang-Le

Siyang-Le puts her faith in communication and fairness. “When life gets busy, we tend to forget to put ourselves in other people’s shoes and think from another person’s standpoint.

“I always tell my team that it’s important to treat your partners and colleagues the same way you treat your clients. In any sort of relationship, marriage, partnership or even in a team, you’ve got to give time and be understanding and patient with the people around you.”

Now that she is in a position that requires a stronger assertion of leadership, Siyang-Le says she sees no reason to change the way she behaves.

“Some people may not take me seriously since I come across as ‘bubbly and expressive’, but I would never want to change my personality just because I have a higher-level role now.”

She would rather use “soft” power to influence people, she says. “You need to exchange a good enough level of understanding in order for somebody to really do what you want them to do, otherwise it’s just forced and unnatural.

“I don’t want to ever force anything.”

Siyang-Le sees no need to change her “bubbly and expressive” personality. Photo: K. Y. Cheng

Siyang-Le adds: “I try to show my true self in my leadership, and I am extremely open with the people I work with.

“Being kind and smiley and bubbly doesn’t mean you’re not strong, and you don’t need to be intimidating and scary to be perceived so.”

Art Basel Hong Kong will take place at the Hong Kong Convention Centre in Wan Chai on Hong Kong Island from March 21-March 25, 2023.

Post