bodyType

customContents

entityId

entityUuid

articlePageQuery

filter

article

articleBaseAdvertisingInfoArticle

articleListArticle

articleSeoArticle

helpersCheckIsPostiesArticle

hooksArticleAcknowledgementGateOverlayArticle

hooksTrackPageViewArticle

hooksContentInterestArticle

articleLinkingDataContent

articleSchemaContent

liveArticle

advertZone

sentiment

contentLock

topics

types

sections

moreOnThisArticles

urlAlias

commentCount

sponsorType

authorLocations

authors

paywallTypes

corrections

displaySlideShow

multimediaEmbed

printHeadline

seriesContainer

socialHeadline

headline

flag

firstTopic

glossary

flattenTypeIds

publishedDate

additionalInfoBoxes

images

image

relatedLinks

relatedNewsletters

__typename

createdDate

sponsor

factSheets

series

disableOffPlatformContent

published

updatedDate

summary

subHeadline

body

keywords

copyrighted

customTimezone

liveContents

Agence France-Presse

Imagine putting on a helmet, lowering the visor and being transported immediately from your humdrum day-to-day existence into your own Star Wars adventure.
Well, holster that blaster because the kind of fantasy that could once only be woven into the dreams of the young is now becoming a reality.

The Void is the latest in a flood of businesses offering whole-body, fully immersive virtual reality experiences for about double the price of a movie ticket.
The company’s Star Wars: Secrets of the Empire scenario instructs players that their mission is to recover Imperial intelligence critical to the survival of the Rebellion – yes, that Rebellion, of Luke Skywalker and Princess Leia.


In reality, the players are in a room full of cameras, movement sensors and other gadgetry in the shadow of Disneyland in southern California.
As far as they are concerned, they are rebels disguised as Imperial storm troopers on the molten planet of Mustafar, battling giant lava monsters and generally taking care of business.
Wearing vests weighed down by hi-tech hardware, the players can reach out and touch what they are seeing in their visors, feel the breeze on their faces and hear creatures scuttling around them.
Designed in partnership with Disney-owned Lucasfilm, which makes the Star Wars movies, the experience involves all the senses, says marketing director John Kirkpatrick.

“I really felt like I was in the movie,” says player Sean Oshima, 29, a technology consultant. “I was really amazed by this technology. You can really feel the agents shooting you.”
The experience – typically enjoyed in groups – costs about US$30-35 for 10 minutes, and gets about 500 visitors a day in Anaheim.
There are locations in North America, the Middle East and Europe and the company is still growing, with other scenarios including a narrative tour around the movie Ghostbusters, and a haunted house experience.

Without the bells and whistles, the interior is much as you might expect – a room measuring about 10 square metres (110 square feet), partitioned here and there to guide players through the attraction.
The cutting-edge tech works in tandem with run-of-the-mill radiators and fans varying the atmospherics, while foam mats double as magma and scent diffusers provide the “smell-o-vision”.
I was really amazed by this technology. You can really feel the agents shooting you
Sean Oshima
Jeremy Bailenson, founding director of Stanford University’s Virtual Human Interaction Lab and author of the bestselling Experience on Demand, says the sector is on the cusp of a boom.
In California, VR attractions under development or already out there include the free-roaming group experience Alien: Descent in Orange County and an ImaxVR centre in Los Angeles.

An attraction based on fictional CIA analyst Jack Ryan, the hero of the Tom Clancy novels and an upcoming Amazon TV series, was among numerous VR experiences showcased at the recent San Diego Comic-Con fan event.
Video games are criticised for isolating players, but proponents of virtual reality say it can be an inherently social experience, as it promotes teamwork through problem-solving.
The technology is developing rapidly and has already moved beyond pure entertainment into education and science.

Acclaimed filmmaker Alejandro Gonzalez Inarritu got a special Oscar last year for a virtual-reality installation focusing on the plight of migrants, which was shown in several cities including Los Angeles.
The six-minute Carne y Arena (“Virtually Present, Physically Invisible”) takes viewers on the harrowing trek many migrants undertake through the Sonoran Desert in the southwestern United States.
As sirens wail, each participant – barefoot on the sandy ground and wearing VR goggles – experiences the journey alone, joined only by a small band of virtual people hoping to reach America.
Border guards armed to the teeth separate the men from the women and the children. Their abandoned shoes litter the ground, as one person screams out in pain and a tragedy looms.

From the art world, a successful exhibition on David Bowie is to be adapted into a VR experience by Sony, while architects, teachers and many others in the public and private sectors are increasingly using the technology to illustrate projects and ideas.
“Picture if an educator or a student goes into a world, and instead of just learning about it through a textbook, you can actually interact [with] that locale,” said Kirkpatrick, “or even see what those worlds might have looked like in the times that you’re studying.”


Star Wars: Bounty Hunter Remastered tweaks graphics, adds aiming aid, removes side borders

James Earl Jones, acclaimed actor and voice of Star Wars’ Darth Vader, dead at 93

Princess Leia gold bikini costume from set of Star Wars sells at auction for US$175,000

Meet Billie Lourd, Carrie Fisher’s only daughter: she was in American Horror Story and Scream Queens, and was at the Watershed premiere, but what was the family drama over her mum’s Walk of Fame star?

Star Wars

Hyper-real Star Wars VR scenario makes you the hero, and puts all your senses to the test

California business is one of a flood of ventures offering whole-body, fully immersive virtual reality experiences for about double the price of a movie ticket

NEW YORK, NY - APRIL 23: Stanford Virtual Human Interaction Lab Founder Jeremy Bailenson (L) attends Stanford University's Virtual Human Interaction Lab Experience during the 2015 Tribeca Film Festival at Spring Studio on April 23, 2015 in New York City. Slaven Vlasic/Getty Images for the 2015 Tribeca Film Festival/AFP

John Kirkpatrick, Chief marketing officer at The Void, a VR attraction poses for a photo in Anaheim, California on July 19, 2018. / AFP PHOTO / Veronique DUPONT

Clients of the VR attraction, The Void, put on their 3D head sets in Anaheim, California on July 19, 2018. / AFP PHOTO / Veronique DUPONT

Handout image shows a scene from The Void's “Star Wars: Secrets of the Empire” scenario. [03AUGUST2018 FEATURES] SCMP: The Void

Handout image shows a scene from Carne y Arena (2017). [03AUGUST2018 FEATURES]

Clients of VR attraction The Void get ready to put on their 3D headsets in Anaheim, California. Photo: AFP

Are VR headsets only for young male nerds? HTC doesn't think so

HTC Vive currently accounts for about 38 per cent of virtual reality headset sales in China. Photo: Handout

Users wear a VR headset during a conference. Photo / Handout

Lifestyle

Tech

California business is one of a flood of ventures offering whole-body, fully immersive virtual reality experiences for about double the price of a movie ticket


California business is one of a flood of ventures offering whole-body, fully immersive virtual reality experiences for about double the price of a movie ticket.


Virtual reality and augmented reality (VR and AR)