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Inspired by Cobonpue, young designer creates his own distinctive furniture line

Vito Selma draws on his travels and appreciation of simplicity to produce punchy statement pieces

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Filipino designer Vito Selma.

Vito Selma was in secondary school when he took part in a design workshop led by Kenneth Cobonpue. Selma, 32, is now following in Cobonpue’s footsteps.

In 2009, after studying design in San Francisco and Milan, he returned to Cebu to work in his family’s furniture factory. He began his own design practice three years ago. “I’m my family’s client now. They do the manufacturing,” he says.

Though Selma’s path to design might echo that of Cobonpue, his furniture is distinct, with local craft techniques filtered through punchy statement pieces with a geometric approach to form. “It’s always the craft influence that comes from Cebu, but the aesthetic is from my travels around the world,” says Selma.

He came to value simplicity and minimalism when he studied abroad. “If I had never left, my work would probably be really ethnic.”

The Baud bench is a case in point. Named after the Cebuano word for wave, it is an undulating ring of rattan stalks – a familiar local material employed in a novel way. “It’s a good bench for a lobby area – you can sit facing in or out,” says Selma.

How Kenneth Cobonpue showed way for Filipino design

He is interested in material innovations, such as transforming abaca (a relative of the banana plant) into something that feels like leather, or coating the legs of a tree-inspired table, Plumeria, in tobacco leaf to give it the texture and appearance of bark. And he has a cheeky sensibility, too – Raina is an extravagantly oversized adaptation of the traditional Peacock chair, with an intricately woven back made from buri palm.

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