Review: Jean-Guihen Queyras with the Hong Kong Sinfonietta – classics and rare gems

Although the two major works programmed in Saturday’s concert – Haydn’s Cello Concerto No 1 in C and Schubert’s Symphony No 4 in C minor – are standard classical repertoire, pride of place must go to Ouroboros, a cello concerto by ultra-modern Austrian composer Thomas Larcher commissioned by the Hong Kong Sinfonietta and five European orchestras.

The instrumentation makes interesting reading; it includes a prepared piano, a wide range of percussion including such modern accessories as an oil barrel and a biscuit tin and the first wind machine (a contraption resembling a large kitchen roll with a winding handle) that I have ever seen.

The performance of a piece such as this demands the utmost commitment and dedication. By any standards the quieter lyrical interludes of the work were original and beautiful, but the more complex and possibly problematic sections provided an absorbing opportunity to watch the players of the Sinfonietta in action.

Special mention must go to the percussionists, the ever-alert pianist Alan Chu (the orchestra’s principal keyboard player), and the star soloist Jean-Guihen Queyras, but the concentration demonstrated by the whole orchestra was quite exceptional.

Opening the programme was the Concert Românesc for orchestra, a folk-inspired piece by avant-garde Hungarian composer György Ligeti. Written long before his more celebrated and modernistic output, this rare repertoire made for a surprising and welcome introduction to the evening.

Contemplative interplay between winds and strings led to vivid Romany jigs that had guest conductor Clemens Schuldt jiving on his podium. There followed lyrical solos from horn and cor anglais against shimmering strings before the piece ended on a more vigorous note.