Joshua Wong, Hong Kong’s very own version of The Boy Who Cried Wolf
Alice Wu says the activist’s claim of political persecution, even after being acquitted of police obstruction charges, shows the limits of playing the victim
To Wong’s credit, he said outside court that he would bear in mind the magistrate’s reminder but, almost in the same breath, he accused the Department of Justice of being most in need of reflection. There is no doubt Wong is “politician” material – he went straight from that to calling his latest adventure in court “political prosecution”. “Why waste time and resources on this political prosecution?” he asked. Yes, old habits, even for a young person, die hard.
Playing the victim may get you headlines but, at some point, playing the righteous victim becomes a dangerous habit. Over time, it not only becomes old, but also clouds judgment when everything is seen through the same lens; it is the very seed that sprouts narcissistic rationalisation. It blinds us to our shortcomings; it is always someone else’s fault. It is detrimental not simply because it erodes credibility – in the vein of Aesop’s The Boy Who Cried Wolf. Self-delusional self-pity is cancerous; it stifles the cultivation of character.
Don’t blame Hong Kong activist for actions of ‘star-struck’ fans, court told
Wong’s lawyer compared him to Canto-pop star Leon Lai Ming, and argued the case against police obstruction by saying that Wong could not be held responsible for the actions of his fans, just as Lai would not be held responsible for the actions of his fans. There’s obviously some truth in that. But the magistrate also deemed Wong’s behaviour “inappropriate”, and prescribed introspection. Should Wong be willing to grade himself as unforgivingly as he does those whom his vitriol has graced, then he would be scoring victories that will truly affect his future, since self-reflection builds character.