Just SayingHong Kong's skin trade: How tattoos have emerged from the triad shadow to make a respectable mark
Yonden Lhatoo says most people have no inkling that body art and a respectable job are not mutally exclusive but times have changed and tattoos are no longer restricted to the rebellious youth demographic

I was recently invited to give a pep talk to a group of youngsters from Hong Kong’s ethnic minority communities. The air conditioning wasn’t working properly in the small auditorium and we all had to take our jackets off to beat the heat.
So there I was on the rostrum, delivering my speech in a T-shirt, when I realised that no one was really listening. Parents and children alike were gawking at and whispering about my tattoo, which is a rather in-your-face dragon design wrapped around the length of my right arm from shoulder to wrist.
It’s a work of art by a Taiwanese master and I’m very fond of it, but I avoid displaying it at black tie affairs or formal gatherings. At this event, the dress code was semi-formal, but I’m sure no one was expecting a newspaper editor with ink on his skin rather than in his veins.

I had my first tattoo done more than a decade ago in Hong Kong, at a time when I was the only one in my circle who thought it would be cool, while everyone else had serious reservations because of the stigma attached to it. But tattoo culture here has come a long way since then.
You can trace it back to the 19th century, when sailors would pick up epidermal souvenirs at every big port they stopped by. Their patronage was what launched the old tattoo parlours in Wan Chai.

