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Back to the office, in style: for Casetify’s new Hong Kong HQ, Crosby Studios designed a vibrant Gen-Z-ready workplace complete with amphitheatre, Blackpink boombox, Nodi baristas and a karaoke room

Casetify founder Wesley Ng commissioned Crosby Studios to come up with a brash Gen-Z feel for his company’s new headquarters in Kwun Tong, Hong Kong. Photos: Jonathan Wong

The Romans had their Colosseum, a brick and stone structure built to host audiences of 80,000 for spectacles from gladiatorial contests to mythological dramas, still standing almost 2,000 years on.

Casetify, the Hong Kong-based maker of those colourful phone cases you see everywhere, may not be as big as the Roman empire – yet – but now they too boast an amphitheatre of sorts. Made out of mobile phone cases, naturally.

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This 21st-century show-stopper is the centrepiece of Casetify’s new corporate headquarters in the city’s Kwun Tong neighbourhood. It was designed by the very of-the-moment Crosby Studios, which besides being responsible for Casetify’s retail stores, is the mastermind behind spaces virtual and physical for Balenciaga, Valentino and retailer Dover Street Market, as well as a furniture collection for Nike, and covers for Hypebeast and Architectural Digest.
I wanted for people to enjoy coming back to the office
Wesley Ng, founder, Casetify

The brief Casetify founder Wesley Ng gave Crosby top dog Harry Nuriev was rather simple: “I wanted for people to enjoy coming back to the office, because we had a period when we were working from home. The second thing is I wanted the space to be very collaborative – because we’re about creativity, so collaboration is important. And the third thing was, we wanted the space not just to look cool, but to really speak of the brand. If we could do these three things right, I’d be happy.

The brief for the Casetify offices stressed they should be enjoyable, collaborative and cool.

“And Harry got it straight away. The rest was a no-brainer. As long as the production company could make it happen, it was a green light from me. I don’t think I rejected any of the designs in the project – I loved it at first sight.”

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The amphitheatre is ideal for company town halls but also proves popular for breakout meetings and small gatherings – being fun, functional and singing the brand’s values regarding sustainability, self-expression and simply being, well, cool. It’s Ng’s favourite spot (beating, it would appear, even his sea-facing private office decked out in plush millennial pink). “It’s made out of 20,000 used phone cases, so you’re sitting on a piece of history, with stories,” he adds. “Sometimes it’s emotional, because it’s [literally] your supporters.”

Special cases: the amphitheatre is lined with a mosaic of 20,000 of Casetify’s phone cases.
His subordinates would likely choose an alternative space as their favourite. Perhaps the coffee bar, with Nodi baristas churning out subsidised flat whites for HK$10 (US$1.3) a pop? Or, more likely, the colour-blocked pink and Klein blue karaoke room that, when we visit, is already set to blast a little (or a lotta) Taylor Swift.

“Our meeting rooms are unique, they don’t feel like meeting rooms. It feels like a karaoke room. But guess what? We do also have a karaoke room!

“In the first generation, all the start-ups had a table tennis table. I’ve been through that, and it’s not what people want, it’s irrelevant,” Ng says. “The reason we built a karaoke room is because that’s what people enjoy. It’s very Hong Kong, and part of our culture. So we have this room upstairs – and the ROI (return on investment) is really high.”

Functional decor includes this oversized Blackpink boombox from a pop-up with the group.
The rainbow hues splashed across the two floors of this harbourside space clearly echo those used in Casetify’s retail stores, and each doorway is rimmed in black to echo its phone cases. There are fun, occasionally functional installations sprinkled around as decor: a giant-sized Blackpink boombox taken from the brand’s pop-up with the Korean girl group. A carnival-style strongman game. A vinyl bench in a pastel gradient that snakes around in a figure eight and could probably seat 50. And of course, a mini retail space that Ng says was inspired by Steve Jobs.

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“Jobs built an Apple retail store very close to the Apple campus, and it’s because he wanted everything – the experience, the training – to be perfected before he rolled it out. And I found that very efficient,” he says. “Instead of having to go to the store to mock something up to see the results, you can see it right away here. Our retail team really found it helpful and efficient that way. It’s [great] for me to connect with the customers and it’s the fastest way to understand what the customer goes through without travelling to another retail store – we have everything in the office.”

Though up to 300 employees regularly commute to this space, Ng also wants it to inspire a wider circle of people. The company recently hosted a group of students from the Chinese University of Hong Kong to hear Ng speak. “We want to share our experience and we believe in the future of Hong Kong and promoting entrepreneurship. We want people to know, yes, Casetify is from Hong Kong, but it is a globally recognised product and brand. And that we did it, so you can do it, too.”

Casetify’s new HQ in Kwun Tong, Hong Kong.

The onus on inspiring others and perpetuating Casetify’s success story obviously doesn’t rest on the office space alone, but it could prove an undoubted draw for an up-and-coming Gen-Z workforce that seeks meaning along with money, and is more enticed by a strong vision and community than a robust retirement plan.

“For me, why we invested in such a fancy office – it’s that we really want to see Hong Kong as a creative hub for Casetify. As an entrepreneur from Hong Kong I wanted to give a path for young people,” he adds. “You don’t have to only work in finance or insurance. There is a career path for creativity.

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“Ultimately I see Casetify as a digital lifestyle brand. So there will be product expansion – unfortunately I cannot share it with you today, but stay tuned. But honestly, it’s a lifestyle. How we interact with the mobile device is different from 10 years ago. Ten years ago who cared about your phone case? Now it’s a reflection of who you are. Now with the strap, it’s about mobility. It’s evolving with our digital lifestyle, and we want to make sure we have the correct products for our customers.”

What else have Crosby Studios done?

The innovative design house have worked around the world, including on these three colourful pop-up projects.

Crosby Café at 3537

Crosby Café at 3537. Photo: Handout

A pop-up cafe and showroom at 3537, a 17th-century Parisian mansion turned cultural space by Dover Street Market. Featuring Crosby’s own furniture collection, it is laid out to contrast with the historical setting and intentionally designed to appear as though caught in mid-renovation.

Zero10 x Crosby Studios

Crosby Studios x Zero10 pop-up. Photo: Handout

A collaboration with AR tech firm Zero10 to create a physical space that allows for a virtual experience. Customers enter the box, in SoHo, New York, which is decked out in pixelated decor, and try on digital clothing using an app.

Web3 Cafe

Crosby Studios video game cafe pop-up. Photo: Handout
This Paris Fashion Week pop-up Web3 Cafe by Crosby and jewellery designer Gaia Repossi was based on the bedroom in Crosby’s own video game, which allows users to design rooms using the studio’s furniture collection. The cafe and game share a bitmap aesthetic which extends to the furniture line.
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Technology
  • For the phone case manufacturer’s new HQ in Kwun Tong, founder Wesley Ng commissioned designers who have worked with Balenciaga, Valentino, Nike, Hypebeast and Architectural Digest
  • Crosby pop-ups include one at Paris Fashion Week with jewellery designer Gaia Repossi, with New York AR tech firm Zero10 and with 3537, a Parisian mansion/cultural space by Dover Street Market