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Leslie Cheung (left) and Chow Yun-fat in a still from Once a Thief (1991), one of five Asian heist films we love. Photo: Fortune Star Media Limited

5 great Asian heist films, from John Woo action comedy Once a Thief to 2023 Korean hit Smugglers, to watch if you saw The Moon Thieves

  • John Woo’s Once a Thief, an uproarious action comedy starring Chow Yun-fat, Leslie Cheung and Cherie Chung, is one of many great Asian heist films
  • We list five of our favourites, from a bombastic Japanese thriller about a gang of ageing thieves to one of the funniest, most original heist films in years
Asian cinema

Crime films assume all manner of elaborate identities and disguises, but the heist movie must rank as one of the most inventive and enduringly entertaining.

Every piece of the puzzle, from recruiting the team to devising the plan, its breathless execution, followed by – if all goes smoothly – the high-speed getaway, must be carefully assembled. When performed correctly, the results are hugely rewarding, and have yielded countless cinematic classics, from Rififi to The Sting, Ocean’s Eleven to Inception.

Asian cinema is no exception.

One need only look at the crop of films on release in Hong Kong right now to catch the high-stakes thrill ride of Herman Yau Lai-to’s Moscow Mission, or the star-studded Lunar New Year caper The Moon Thieves, in which three of the boys from Hong Kong pop sensation Mirror turn to a life of crime for our entertainment.
(Front row from left) Louis Cheung Kai-chung, Michael Ning, Anson Lo Hon-ting and Edan Lui Cheuk-on in a still from The Moon Thieves.

But these are just the latest examples in a long and storied tradition. Here are five of our favourite Asian heist films, all deserving of your attention.

1. Once a Thief (1991)

Hong Kong legends Chow Yun-fat, Leslie Cheung Kwok-wing and Cherie Chung Chor-hung play a trio of orphan art thieves who go on a wild rampage through France in John Woo Yu-sum’s uproarious action comedy.

A heady cocktail of blistering stunt work, knockabout humour and sentimental romance, the film follows this gang of surrogate siblings as they pull off a string of daring heists in a series of exotic continental locales.

But when they inadvertently scupper the plans of their crime boss (Kenneth Tsang Kong), all hell breaks loose, prompting the team to reappraise their own loyalties and relationships.

Cherie Chung, Leslie Cheung (rear) and Chow Yun-fat in a still from Once a Thief (1991). Photo: Fortune Star Media Limited
Despite the deceptively lighthearted tone of Once a Thief, which arrived sandwiched between the gung-ho heroics of Woo’s Bullet in the Head (1990) and Hard Boiled (1992), the director still finds time to ruminate on some of his favourite themes, from championing the sympathetic anti-hero, to delving into the psychological duality that inextricably links cops and robbers.

2. The Triple Cross (1992)

Credited with revolutionising the Japanese yakuza film in the 1970s with his seminal Battles Without Honor and Humanity series, Kinji Fukasaku scored a late-career triumph with this bombastic thriller about a gang of ageing thieves plotting one last score.

Kenichi Hagiwara, Renji Ishibashi and Sonny Chiba play the veteran criminals who are tipped off by a club owner (played by Kazuya Kimura) about an armoured car full of casino cash. While the heist goes off without a hitch, the gang discover that their haul is far less than they had anticipated, which sets them at loggerheads with each other.
Kenichi Hagiwara (left) and Sonny Chiba in a still from The Triple Cross (1992).

As the film’s title might suggest, not everyone can be trusted, and betrayal upon betrayal escalate into a violent cross-country chase involving the authorities, rival gangsters and Keiko Oginome’s deranged, machine-gun-toting femme fatale in a seemingly endless melee of bullets and bloodshed.

3. Going by the Book (2007)

In one of the funniest, most original heist films in years, Jung Jae-young is wonderful as a low-ranking but highly dedicated constable, who takes his role in a police training exercise to the absolute extreme.

Eager to make a good first impression, an incoming police chief (Son Byung-ho) devises an elaborately staged bank robbery to show off his force’s capabilities in front of the community, press and his superiors.

After an early run-in, the captain selects fastidious flatfoot Do-man (Jung) to play the role of the gun-toting criminal, only for the committed copper to go full method.

Jung Jae-young in a still from Going by the Book (2007).

With the television cameras rolling, and a fascinated public looking on, Do-man proceeds to outwit his superiors at every turn in his unerring quest for authenticity. What unfolds is a largely unsung masterpiece of humour and heart, packed with big laughs and endearing performances.

4. Bad Genius (2017)

Writer-director Nattawut Poonpiriya delivers a heist movie unlike any other, as the criminals are not seasoned thieves but industrious high-schoolers out to steal not money or jewels, but the answers to their final exams.

Model turned leading lady Chutimon Chuengcharoensukying delivers a star-making performance as Lynn, a brilliant but cash-strapped student who turns to tutoring her classmates to make ends meet. But as her help crosses the line into cheating, Lynn hatches an elaborate scheme to expand her empire into an international moneymaking bonanza.

Intricately plotted and executed with a degree of slick professionalism normally reserved for Hollywood studio productions, Bad Genius is an exhilarating caper that ratchets up the tension to a palm-sweating crescendo.

Chanon Santinatornkul (left) and Chutimon Chuengcharoensukying in a still from Bad Genius (2017).

Inspired by a real scandal involving students from China who cheated on the SAT exam, this is one of the most impressive Thai films in recent memory.

5. Smugglers (2023)

A rare female-fronted heist movie, Ryoo Seung-wan’s energetic, 1970s-set crime caper stars Kim Hye-soo and Yum Jung-ah as haenyeo free divers, who are forced to lend their talents to a criminal enterprise after their regular fishing trade dries up.

Hailing from the Korean island province of Jeju, these hard-nosed women are renowned for their ability to swim to great depths, without the aid of breathing apparatus, and scour the seabed for profitable shellfish.

In Ryoo’s film, a gang of tough, no-nonsense women, with increasingly strained relationships of their own, go into business with some shady smugglers, only to turn the tables on their male employers and cash in for themselves.

(From left) Kim Hye-soo, Go Min-si and Yum Jung-ah in a still from Smugglers (2023).

Featuring riotously rambunctious performances and some gleefully over-the-top period attire, Smugglers is a stylish take on the pirate movie with a fearsomely feminist hook.

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