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Sven van der Veen and Krista and Sven van Steekelenburg’s Repulse Bay apartment. Photography: John Butlin. Photography assistant: Timothy Tsang

By introducing natural light, elements of Bali and a lot of love, a family made their Hong Kong flat feel like home

Having been given the freedom to renovate, the tenants of a Repulse Bay apartment went all out while retaining the flat’s period features

It started as a long-distance romance. Dutch couple Sven van der Veen and Krista van Steekelenburg first laid eyes on their beloved 2,500 sq ft, ground-floor apartment in Repulse Bay from the window of a flat they were viewing high up in a nearby tower block.

“That flat was OK, but then we looked out of the window and saw this place, and said ‘that’s what we would like’,” van Steekelenburg recalls. A week later, when van der Veen spotted it in a property agent’s listings, it felt like fate.

That was 10 years, two children and a renovation ago: by the time this is published, the family of five will have moved to the Netherlands.

“Our landlady has been amazing ­­– she cried when we told her we were leaving,” van Steekelenburg says. “Her father was the architect who designed the flat [one of six in a three-storey, post-war block], and she wanted someone who would love it.”

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Nevertheless, the flat was looking pretty unloved when the couple first rented it.

“The grass was a metre high, there was mould every­where and it was dark with tiny windows,” van Steekelenburg says. “But the land­lady gave us lots of freedom and was happy for us to renovate.”

As it was a rental and they wanted to preserve the period features ­that attracted them in the first place – a stone fire­place, parquet floors ­– they needed to be savvy. Deciding they could live with the two bathrooms and kitchen (other than respraying the cabinet doors glossy white), they focused the renovation on the living area.

To make the space larger and brighter, they knocked out the wall to the fourth bedroom, creating a play area for their young son – and later, his two brothers. They also opened up access to the garden, installing floor-to-ceiling sliding doors in the dining space.

“That was the best decision ever,” van Steekelenburg says. “We are always out in the garden.”

But it’s the eclectic furnishings that really make this home unique. They both clearly have a good eye. After 15 years in fashion, van Steekelenburg made the leap to becoming an interior designer a couple of years ago. Van der Veen also has a design background, producing a range of children’s sleep-training products for his company, Zazu. Their possessions have been collected over years, on trips to Europe and Asia, especially Bali, where they have developed several properties.

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There are plenty of fun, quirky elements: a pair of buxom copper yoga ladies on wooden plinths; lamps made from Indonesian krupuk (prawn cracker) tins; a Belgian tailor’s form; and in the garden, a giant champagne bottle left over from their Hong Kong wedding.

Dominating the play area is an ornate Balinese daybed – a wedding present and “where we read the newspaper on Sundays” – paired with a children’s desk created by van Steekelenburg from a pair of brightly painted drawers and a plank of distressed wood.

She also designed the furniture in the bedroom shared by her two oldest sons, 11-year-old Stein and eight-year-old Koen (Teun, aged four, has his own room, but “usually sleeps in here, too”). Van Steekelenburg painted the tree mural from a drawing projected on the bedroom wall, made leaves out of fabric and paper, and topped it all off with a green-painted Hong Kong metal postbox. She also made the birdcage lamps herself.

It’s been the perfect pandemic garden. It has so many nooks and crannies for the boys to play in. We’re really going to miss this place
Krista van Steekelenburg

Perhaps the room’s greatest asset is the door to a secret courtyard, decked out in child-sized furniture. “We put a paddling pool and a shade canopy up when it’s really hot,” van Steekelenburg says.

Through a small gap at the corner of the courtyard is the main garden, overlooking Repulse Bay, with a lawn for a kick-about and interesting spaces to fire the imagination, such as a stepladder giving access to the roof of a low concrete shed. A salvaged Lunar New Year cherry tree has put down roots in the centre of the garden (“I couldn’t believe it when it started to grow”).

“It’s been the perfect pandemic garden. It has so many nooks and crannies for the boys to play in,” van Steekelenburg says. “We’re really going to miss this place.”

Photo: John Butlin
Garden The retro outdoor furniture set came from Potato Head in Bali, Indonesia. The rug was HK$490 (US$63) from H&M Home. The furniture at the far end of the garden is grown-up versions of Piet Boon’s Anne collection.
Photo: John Butlin
Living room The cotton-linen sofa was from Harbour Outdoor in Ap Lei Chau. The bespoke teak coffee table, leather armchair with footstool, and wooden armchair all came from Bali. The wooden chest was bought in Macau. The rug (HK$6,000) is a custom design from Maya Rugs and the BuzziLight reversible lamps, made from recycled felt, are by Sas Adriaenssens and came from Seventhirty AM.
The paintings of a Balinese family, above the sofa, and a Balinese princess, above the wooden armchair, are by Spanish artist Mersuka Dopazo from Rebecca Hossack Art Gallery. The antique temple bell, next to the window, and hammered copper pendant lamps were picked up in Bali. The wooden vase on the chest was from Shanghai.
Photo: John Butlin
Play area The Balinese daybed was a wedding gift. The tailor’s form came from a brocanterie in Antwerp, Belgium, and was a graduation gift. The pair of yoga ladies on wooden plinths were made to order by a copper maker in Sanur, Bali. The green cupboard (HK$5,000) was from Tequila Kola. On top of it are krupuk tins, picked up in Bali, and a painting that was bought on a trip to Hoi An, Vietnam.
The white Kallax unit (HK$599) and Strib rug were from Ikea, and the felt storage boxes (HK$199 each) were from Zara Home. The zebra painting above the unit was from Australia.
Photo: John Butlin
Play area Krista van Steekelenburg created the child-sized desk from a pair of drawers and a distressed wood plank from All From Boats in Bali. The pendant lamps (HK$1,200 each) and metal chairs (HK$700 each) were from Mirth. The bird paintings next to the daybed were by van Steekelenburg.
Photo: John Butlin
Dining area The teak dining table and leather chairs were custom made in Bali, as was the mirror made from reused boat wood by All From Boats. The painting next to the doors leading outside is by Dopazo. The Tolomeo Mega floor lamp by Artemide was HK$9,200 from MyConcept.
Photo: John Butlin
Dining area detail The Buddha head was a wedding present and sits on a side table made from old boat wood from Bali. The krupuk tin lamps were also sourced in Indonesia. The painting reads “Pandi will be famous 2020” and was bought years ago in Bali from the artist. The cork artwork below the glass vase came from an antique shop in Porte de Clignancourt, in Paris, France.
Photo: John Butlin

Corridor The pendant lamp came from a market in Oman and the wall lamps were from Dubai. The family photos on the gallery wall are in Ikea frames.

Photo: John Butlin
Main bedroom The zebra-stripe armchair was bought in Shanghai. The cushion on it was from Shanghai Tang. The Pony Rider cushions on the bed were HK$700 each from Mirth Home. The antique desk was from Macau and the table lamp came from Homeless. The leather armchair was from Bali. The bandas rug, by Patricia Uruquiola for Gan, was HK$36,400 from Establo.
Photo: John Butlin
Teun’s room Four-year-old Teun has bedding from H&M Home and cushions from Zara Home and Ferm Living. The throw was HK$800 from Indigo Living and the shelf was from Ikea.
Photo: John Butlin
Stein and Koen’s room Van Steekelenburg designed the bunk beds, steps and canopy bed in the boys’ room and had them made in Bali, in whitewashed teak. The rocking chair was also from Bali. Van Steekelenburg bought the birdcages from the Bird Market in Mong Kok and converted them into lamps. The pendant lamp by Loods 5 (HK$700) and the astronaut and firefighter bedding by Snurk were from the Netherlands.

Tried + tested

Photo: John Butlin

Small world Outside the older boys’ bedroom is a courtyard decked out just for them. A display of old wooden shutters from Bali adds interest to the walls while child-sized furniture, an all-weather rug and orchids in small vases – echoing a similar display in the dining room – heighten the sense of a cosy outdoor space.

The iron daybed was sourced on a trip to the antique dealer paradise of L’Isle-sur-la-Sorgue, in southeast France, and the teak side table (left) was from Bali. The Anne sofas were from Piet Boon and the rug was from H&M Home.

This article appeared in the South China Morning Post print edition as: 10 years later …
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