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Originally two dark and dreary flats, Claire Price’s Mid-Levels home was transformed with the help of architect Damienne Joly into an attractive apartment that is full of character. Photography and video: John Butlin.

A Hong Kong property agent finds a hidden gem inside an ordinary looking complex

Three small, dingy Mid-Levels flats lay vacant for years until Claire Price saw their potential and returned them to their original state as one home

There is nothing particularly special about the Mid-Levels complex that houses Claire Price’s 1,200 sq ft flat. The height of modern living in 1959, it boasts a facade little changed since last century. Step through her front door, however, and the contrast is stark. Coupled with the physical aspects – a spacious open-plan kitchen and living area, tall windows and 3.3-metre-high ceilings that give the flat a loft-like vibe – is a strong sense of character and comfort.

Price, who lived in Hong Kong for 18 years before moving to Portugal at the end of last year, says she has a penchant for older buildings and was on the hunt for some­where to renovate.

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“I was showing the property to clients in 2017 but it was way beyond what they were prepared to take on,” the Briton recalls, referring to her former job with Habitat Property. “It hadn’t been lived in for six years and was properly dingy […] Although it had originally been one flat under one title deed, it had been chopped up into three small flats so it was almost impossible to feel the space.”

Price’s clients passed but she couldn’t get the building out of her mind, so she took a leap of faith and bought it. Although she wanted a single, two-bedroom, two-bathroom home, she couldn’t quite figure out the layout so enlisted French architect Damienne Joly, of Atelierd&l.

Working around structural pillars, Joly knocked down interior walls until the flats were merged and all the rooms could be accessed under one “roof”. She kept both entrances, however, so now there is a front door with a hall and a back door.

“It looked a mess when we demolished the interior but the true space was revealed and it was quite striking, even with all the rubble and exposed wires everywhere,” says Joly.

Price gave Joly a list of her design wishes but was open to ideas, such as placing the main bedroom at the back of the flat, which was much quieter.

Price was hands-on throughout the renovation process, which took seven months, even travel­ling to Ho Chi Minh City, in Vietnam, to hand-pick tiles for the kitchen, bathrooms and hall­way to ensure uniformity and quality.

“It was stressful choosing and then importing them but worth the effort,” says Price. “They are of a much higher quality than those found in Hong Kong – plus they add character and colour. The ones in the hall were inspired by the original 1880s tiles that you can still see in the [Saigon Notre-Dame] cathedral and [Central] Post Office in Ho Chi Minh City.”

The island doesn’t read as one huge piece but offers more of a yin-yang effect, with the materials interlocking, balancing and complementing each other
Damienne Joly, architect

Another conversation piece is the three-metre-long island in the living space. Price had hankered after an island big enough for friends to congregate around for drinks but was keen to avoid a “huge slab effect”. Joly came up with the idea of mixing materials, combining marble and coloured cement, separated by a thin strip of brass. Together with the black-framed windows and simple pendant lights, the effect is elegant with an understated industrial edge.

“The island doesn’t read as one huge piece but offers more of a yin-yang effect, with the materials interlocking, balancing and complementing each other,” says Joly. “I proposed cement because it would be strong enough to support the marble without having to be overly thick.”

This is not your regular cement, however. Hong Kong-based artist and muralist Elsa Jean de Dieu added colour to the material to give it an almost mottled finish.

Price’s brief was for the flat not only to accommodate her style and art collection but also to be practical and liveable. Furniture from previous homes filled the rooms.

I like older buildings with character and similarly want my home to be interesting and cosy. I’ve got such a mix-and-match of things
Claire Price, homeowner

“I like older buildings with character and similarly want my home to be interesting and cosy. I’ve got such a mix-and-match of things – I’ve had the sofa for 12 years, for example, and I bought the antique dining table and chairs more than 20 years ago in Toulouse [France], where I used to live. I literally plonked it all in and, amazingly, it fit.”

With the flat now tenanted, Price is settling into a new life near Lisbon.

“It was time for a new chapter for me and to go back to Europe, with its beautiful architecture and old-world charm,” she says.

Some things never change.

Kitchen The Harbour lampshades and coloured cables were about 160 (US$183) for the set, including shipping, from Creative-Cables, in Italy.

The sculpture, by Wang Keping, was acquired years ago from 10 Chancery Lane Gallery. The windows (HK$250/US$32 per square foot) were designed by architect Damienne Joly and made by Atelierd&l.
Living area The Umage Eos pendant lamp, by Vita Lighting, cost about 120 from Fresh Air, in Chamonix, France. The 1950s dining table and chairs were bought in 1995 at an antiques market in Toulouse.
The sofa was custom made years ago by Tony Sofa (10/F, United Industrial Building, 50 Heung Yip Road, Wong Chuk Hang, tel: 2895 3291). The Hektar floor lamp (HK$649) came from Ikea. The retro-look SMC fans were about HK$400 each. The woven cube armchair by Kenneth Cobonpue was bought from Ovo Living a decade ago.
The art on the wall above the sofa has been collected over the years from all over the world – Coal Miner (top right), by Chen Guangming, came from Wellington Gallery (36 Wyndham Street, Central, tel: 2804 6688); the limited-edition photograph of the National Library of France, in Paris, (centre) is by New York-based Franck Bohbot and came from YellowKorner; and the Venetian miniature (bottom left) is by Claire Price’s cousin Kate Milsom, who is represented by the Martin Tinney Gallery, in Cardiff, Wales. The bar stools were about HK$500 each from a shop in the Home Goods Store mall (81 Tianbei 4th Road, Lo Wu, Shenzhen).
Kitchen detail The island, which was designed by Joly and made by Atelierd&l, comprises a slab of Turkish marble from Ka Shing Marble Contractors (1132 Canton Road, Mong Kok, tel: 2396 6368) and coloured cement by Elsa Jean de Dieu. The counter cost about HK$46,000.

Hall detail The black steel and fluted glass doors were designed by Joly and made by Atelierd&l for HK$12,000.

Boot room The black-and-white prints on the right were ordered from SCMP: Images. The two antique prints on the left came from Hay-on-Wye, Wales. All were framed by Yiu Kwong Glass Company (46 Hollywood Road, Central, tel: 2544 8642).
The handmade encaustic cement tiles cost US$20 per square metre (excluding shipping) from Viet Tiles, in Ho Chi Minh City. The dog bowl unit (HK$700) came from Whiskers N Paws. The pendant light was about HK$30 and came from a shop on Hàng Trong Street, in Hanoi. The wicker drawer unit was HK$499, plus HK$129 per basket, from Ikea.
Corridor Price’s Vizsla, Nina, stands in a corridor lit by lamps from Vietnam (as before). The wallpaper, Orchid Scales by Michiko Design, was 149 per roll from Feathr. The Moroccan console was purchased in Toulouse about 25 years ago and the wire lanterns came from a Hong Kong shop that no longer exists.
Main bedroom The bed and chest were bought years ago from Indigo Living.
The Nymane reading lights on the headboard were HK$199 each from Ikea. Curtains cover cupboards behind the bed.
The rug cost HK$220 from H&M Home and the baskets were about HK$70 each
from Hanoi. The Chinese cup painting was by Milsom.
The mixed-media painting Deer Lady (2010), by Hung Liu, came from 10 Chancery Lane Gallery.

Main bathroom The hexagonal wall tiles were HK$38 per square foot from Hop Hing Lung Material (235 Lockhart Road, Wan Chai, tel: 2511 3013). The encaustic cement floor tiles were US$20 per square metre (excluding shipping) from Viet Tiles.

Tried + tested

Totally floored Textiles in the kitchen can get dirty easily so Damienne Joly created an alternative runner made out of patterned encaustic tiles (US$20 per square metre from Viet Tiles), which are embedded into the wooden flooring. They lift the look of the kitchen and are practical.

This article appeared in the South China Morning Post print edition as: A diamond in the rough
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