Chinese avant garde artist Huang Yongping returns to Paris
In city where he first came to art world's attention 27 years ago, Xiamen-born Huang will fuill the nave of the Grand Palais - a 45-metre-high, 13,500 square metre space under one of the city's most famous glass roofs - writes Rowena Carr-Allinson
Everything is about to change for Huang Yongping. Twenty-seven years after this avant-garde artist from Xiamen was discovered during the "Magicians of the Earth" exhibition, at the Centre Pompidou, in Paris, he will star in "Monumenta", in the French capital's most prestigious showcase: the Nave of the Grand Palais.
Since 2007, contemporary artists such as Anselm Kiefer, Richard Serra, Christian Boltanski, Anish Kapoor and Daniel Buren have risen to the challenge, creating mind-boggling pieces on a grand scale to fill the 45-metre-high, 13,500 square metre space, under one of Paris' most famous glass roofs.
Despite high-profile shows, such as the 1999 Venice Biennale, in which he represented his adoptive country with Jean-Pierre Bertrand, Huang's work is relatively unknown in France.
Nevertheless, he is no stranger to creating what the French media call "le buzz" - his taxidermy life-sized , in 2009, in the Petits-Augustins chapel, at the Beaux-Arts school, and his oversized and somewhat overbearing octopus, at the Lille 3000 cultural triennial, in 2012, generated many column inches, as did his 36-metre-long live-reptile-filled "snake" in the installation for the Nuit Blanche event a year later.
Often credited with being the true founder of contemporary art in China, and the father of the Xiamen Dada movement, Huang's work has a dream-like quality, sometimes disturbing, exploring his view of the mutations of the world.
