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Can fashion brands revitalise the monogram?

Once seen as a sign of privilege, they are being undermined by ubiquity.

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When Georges Vuitton, son of Louis Vuitton, created the original monogram in 1896, he could never have imagined the impact it would have on the cultural and style landscape for the next century.
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His design - essentially a sequence of four individual motifs - was artfully arranged on the surface of the luggage the brand was known for, making it instantly identifiable.

Since then, the monogram has become a symbol of luxury: Fendi, Gucci, Céline and Chanel are just a few of the prestige brands that over the years have used their monograms to visually differentiate themselves - and be a siren of sorts to label-conscious shoppers. The interlocked Cs, inverted Gs and graphic Fs stacked together like squares: savvy shoppers can identify them at a glance.

"Monograms have become a cultural icon and a symbolic legacy rooted in these brands' history," says S.J. Hsu, chief creative officer of Ogilvy Fashion & Lifestyle, which specialises in branding fashion and lifestyle clients in China. "These brands reinforce their heritage through introducing contemporary interpretations to their monogram collections."

Few luxury labels have embarked on such a course as determinedly and in such a high profile way as Vuitton, which is just about to kick off perhaps its most ambitious monogram-related project yet.

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The Icon and The Iconoclasts collaboration puts the Vuitton monogram back in the spotlight, this time under the auspices of some of the world's finest creative minds.

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