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Malek Jandali may only have been alive for four decades, but the award-winning composer insists he feels ancient, having revived some of the oldest melodies from his war-torn Syrian homeland.
"I'm 8,000 years old," says the 42-year-old pianist, in the middle of a world tour he hopes will spread "peace and freedom" three years after leaving Syria just as war was tearing it apart.
A winner of the 2014 Global Music Awards gold medal, Jandali has for years sought to uncover ancient melodies for modern audiences, but says he is now focused on the future, both in terms of composition and for the land of his upbringing.
Born in Germany, Jandali grew up in the central Syrian city of Homs, once dubbed the "capital of the revolution" by activists, before winning a scholarship to study in the US. Soon after Syria's uprising started in March 2011, the pianist and composer performed at a demonstration in front of the White House.
His initiative prompted pro-regime armed groups to attack his elderly parents in their home in Homs. They later fled to the US.
Jandali said it was this attack that helped him discover "the soft power of music".
"The Syrian people are paying a very heavy price," he says during a tour stopover in Dubai.
Jandali is aware that music alone can do little to alter the situation on the ground, but "it's raising much-needed humanitarian aid and much-needed awareness".
His latest album Syrian Symphony, released in January, contains melodies "inspired by the chants of the Syrian people" during their protests against President Bashar al-Assad's regime.
"I was always trying to … involve my own Syrian identity which is now being targeted … destroyed," he says. "My duty as an artist is to preserve and present it in the most elegant way. I don't comprehend politics or religion," says the pianist, a twinkle in his intense brown eyes. "My message is of peace, unity, humanity and justice."
Although he is accompanied by Syrian oud player Abdulrahim Alsiadi and US cellist Laura Metcalf, Jandali still complains about restrictions imposed due to the political climate at some venues.
"During my world tour, I faced many disturbing incidents of censorship, such as deleting the word 'free' from my [tour] title, 'Voice of the Free Syrian Children', in some countries," he says.
The tour itself was inspired by children Jandali met after he crossed illegally into his country in 2012 - his last time in Syria.
Before the war, Jandali's career often drew on historical compositions of his homeland.
His 2008 album Echoes from Ugarit includes melodies based on "the oldest musical notation in the world", discovered on a clay tablet in that ancient Syrian city.
"We wouldn't have had Lady Gaga or Michael Jackson or even Beethoven without the musical notations of Ugarit," he says.
His award-winning work Emessa was played at the funeral of American war reporter Marie Colvin, who was killed in Syrian army shelling on Homs in 2012.
"I went to the church and I heard my music, the music of Homs [played at the funeral]. I still get goosebumps."
When asked about extremist organisations that have emerged from Syria's war, such as the Islamic State jihadist group, Jandali insists that "the Syrian people have throughout history, and even today, embraced all religions and all cultures. We have synagogues, we have the oldest churches on earth where you can still hear the prayer in Aramaic [the language thought to have been spoken by Jesus Christ]."
While he "loves" his US citizenship and the freedoms that come with it, he remains rooted - both emotionally and through his work - in Syria.
"My memories, my grandfather's grave, my home. I live in Homs," says Jandali. "I know they kicked us out, I know they destroyed my home. I know they are trying to eradicate my true cultural identity, but we are becoming a much more beautiful Syrian symphony today."
Agence France-Presse


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